Abstract
This paper shows how Shakespeare’s luxurious, enchanting, and yet disturbing imagination is derived from a specifically labyrinthine imaginative matrix, in a mannerist or, perhaps, even baroque way.
This paper shows how Shakespeare’s luxurious, enchanting, and yet disturbing imagination is derived from a specifically labyrinthine imaginative matrix, in a mannerist or, perhaps, even baroque way.
© 2025 Pierre Jamet, published by West University of Timisoara
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