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Style-Based Composer Identification and Attribution of Symbolic Music Scores: A Systematic Survey Cover

Style-Based Composer Identification and Attribution of Symbolic Music Scores: A Systematic Survey

Open Access
|Jul 2025

Figures & Tables

Table 1

Queries used for each time block.

Time blocksSearch Key
YearsDurationToken 1
0–1950A AND B
1951–197020A AND B
1971–199020A AND B
A AND C
1991–200010A AND C
2001–201010A AND C AND D ‑optical
2011–20155A AND C AND D ‑optical
2016–20183A AND C AND D ‑optical
2019–20202A AND C AND D ‑optical
2021–20232A AND C AND D ‑optical
2024–1A AND C AND D ‑optical
Legend
Amusic AND composer AND style
Bcomputer OR information OR statistics OR algorithm
Cclassification OR identification OR recognition OR attribution
D‘symbolic level’ OR ‘music score’ OR midi OR musicxml OR kern
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Figure 1

Preferred Reporting Items for Systematic Reviews and Meta‑Analyses flowchart (Haddaway et al., 2022) of the literature review conducted in this work.

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Figure 2

Distribution of the number of publications across the years.

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Figure 3

The moving average on a window of five years of the number of surveyed experiments per year of publication across the evaluation categories identified in this survey.

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Figure 4

Distribution of the recorded experiments across the evaluation classes identified.

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Figure 5

The moving average on a window of five years of the number of papers per composer, for the five most common composers.

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Figure 6

Visualization of the number of papers for composers, excluding composers for which only one paper was published.

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Figure 7

The best accuracy reported by each paper across the length of the period considered by the respective paper. The classification ‘unreliable’/‘questionable evaluation’/‘good evaluation’ is made by the author based on the discussion in Section 4.

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Figure 8

The best accuracy reported by each paper across the size of the dataset. The classification ‘unreliable’/‘questionable evaluation’/‘good evaluation’ is made by the author based on the discussion in Section 4.

Table 2

Datasets used by at least three studies and related accuracies.

DatasetClassesDataset SizeImbalancePaperAccuracyCross‑ValidationEvaluation Class
1Bach, Handel + Telemann + Haydn + Mozart3062.33Backer & Kranenburg (2005)93%LOOUnreliable
Backer & Kranenburg (2005)94%LOOUnreliable
Hontanilla et al. (2011)89%Not specifiedUnreliable
2Bach, Handel, Telemann, Haydn, Mozart3061.74Backer & Kranenburg (2005)74%LOOUnreliable
Backer & Kranenburg (2005)81%LOOUnreliable
Hontanilla et al. (2011)79%Not specifiedUnreliable
Velarde et al. (2018)62%5‑foldUnreliable
3Haydn, Mozart1071.02Backer & Kranenburg (2005)79%LOOGood
Velarde et al. (2016)79%LOOGood
Velarde et al. (2018)80%LOOGood
Kempfert & Wong (2020)84%LOOGood
Takamoto et al. (2024)83%LOOGood
Alvarez et al. (2024)87%LOOGood
Gelbukh et al. (2024)89%LOOGood
4Haydn, Mozart2071.18Hillewaere et al. (2010)75%LOOQuestionable
Wołkowicz & Kešelj (2013)75%LOOQuestionable
Velarde et al. (2018)75%LOOQuestionable

[i] The ‘imbalance’ has been computed as the ratio between the largest and the smallest class.

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Figure 9

Visualization of the number of papers for each approach.

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Figure 10

The moving average on a window of five years of the number of papers per approach, for the five most common approaches.

Table 3

Summary of music authorship attribution problems in the analyzed literature.

Disputed attributionBachJosquin des PrezLennon–McCartney
Originating workvan Kranenburg and Backer (2005)Brinkman et al. (2016)Glickman et al. (2019)
Number of papers331
Best accuracy>90% (van Kranenburg, 2008)91% (McKay et al., 2018)76% (Glickman et al., 2019)
Evaluation classGoodQuestionableQuestionable
Data integrityClosed set, reliance on CCARH collection, no investigation on editorial choicesClosed set, reliance on JRP collection, weak transcription protocolClosed set, manual transcription based on previous editions, no investigation on editorial choices
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DOI: https://doi.org/10.5334/tismir.240 | Journal eISSN: 2514-3298
Language: English
Submitted on: Nov 22, 2024
Accepted on: Jun 9, 2025
Published on: Jul 28, 2025
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2025 Federico Simonetta, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.