Have a personal or library account? Click to login

References

  1. Beveridge, S., Herff, S. A., Buck, B., Madden, G. B., and Jabusch, H.‑C. (2020). Expertise‑related differences in wrist muscle co‑contraction in drummers. Frontiers in Psychology, 11, 538715.
  2. Böck, S., and Davies, M. E. (2020). Deconstruct, analyse, reconstruct: How to improve tempo, beat, and downbeat estimation. In ISMIR, pp. 574582.
  3. Bregman, A. S. (1994). Auditory Scene Analysis: The Perceptual Organization of Sound. MIT press.
  4. Cano, E., Ángel, F. M., Gil, G. L., Zapata, J. R., Escamilla, A., Londoño, J. F. A., and Peláez, M. B. (2020). Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter. In ISMIR, pp. 409415.
  5. Dong, Y., Liu, J., Chen, Y., and Lee, W. Y. (2017). Salsaasst: Beat counting system empowered by mobile devices to assist salsa dancers. In 2017 IEEE 14th International Conference on Mobile Ad Hoc and Sensor Systems (MASS) (pp. 8189). IEEE.
  6. Fitch, W. T. (2013). Rhythmic cognition in humans and animals: Distinguishing meter and pulse perception. Frontiers in Systems Neuroscience, 7, 68.
  7. Fitch, W. T. (2016). Dance, music, meter and groove: A forgotten partnership. Frontiers in Human Neuroscience, 10, 64.
  8. Flores, J. (2016). Salsa Rising: New York Latin Music of the Sixties Generation. Oxford University Press.
  9. Hove, M. J., Marie, C., Bruce, I. C., and Trainor, L. J. (2014). Superior time perception for lower musical pitch explains why bass‑ranged instruments lay down musical rhythms. Proceedings of the National Academy of Sciences, 111(28), 1038310388.
  10. Hutchinson, S. (2013). Salsa World: A Global Dance in Local Contexts. Temple University Press.
  11. Lenc, T., Keller, P. E., Varlet, M., and Nozaradan, S. (2018). Neural tracking of the musical beat is enhanced by low‑frequency sounds. Proceedings of the National Academy of Sciences, 115(32), 82218226.
  12. Maia, L. S., Fuentes, M., Biscainho, L. W., Rocamora, M., and Essid, S. (2019). Sambaset: A dataset of historical samba de enredo recordings for computational music analysis. In The 20th International Society for Music Information Retrieval Conference.
  13. Maia, L. S., Tomaz, P. Jr, Fuentes, M., Rocamora, M., Biscainho, L., Costa, M., and Cohen, S. (2018). A novel dataset of Brazilian rhythmic instruments and some experiments in computational rhythm analysis. In 2018 AES Latin American Congress of Audio Engineering, pp. 5360.
  14. MatthewDavies, E., and Böck, S. (2019). Temporal convolutional networks for musical audio beat tracking. In 2019 27th European Signal Processing Conference (EUSIPCO) (pp. 15). IEEE.
  15. Milne, A. J., and Herff, S. A. (2020). The perceptual relevance of balance, evenness, and entropy in musical rhythms. Cognition, 203, 104233.
  16. Moore, R. D., and Moore, R. (2010). Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture. Oxford University Press New York.
  17. Nunes, L. O., Rocamora, M., Jure, L., and Biscainho, L. W. (2015). Beat and downbeat tracking based on rhythmic patterns applied to the Uruguayan candombe drumming. In ISMIR, pp. 264270.
  18. Pearce, A. (2017). Perceived Differences between Microphones. University of Surrey.
  19. Peeters, G. (2005). Time variable tempo detection and beat marking. In ICMC (pp. 539542). Michigan Publishing.
  20. Pinto, A. S., Böck, S., Cardoso, J. S., and Davies, M. E. (2021). User‑driven fine‑tuning for beat tracking. Electronics, 10(13), 1518.
  21. Raffel, C., McFee, B., Humphrey, E. J., Salamon, J., Nieto, O., Liang, D., Ellis, D. P., and Raffel, C. C. (2014). Mir_eval: A transparent implementation of common mir metrics. ISMIR, 10, 2014.
  22. Rebeca, M. (1993). Salsa guidebook for piano & ensemble. In Petaluma CA Sher Music Company. Sher Music Co.
  23. Romano, G., Schneider, J., and Drachsler, H. (2019). Learning with the dancing coach. In Transforming Learning with Meaningful Technologies: 14th European Conference on Technology Enhanced Learning, EC‑TEL 2019, Delft, The Netherlands, September 16–19, 2019, Proceedings 14, pp. 719722. Springer.
  24. Rondón, C. M. (2008). The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City. University of North Carolina Press.
  25. Simpson‑Litke, R., and Stover, C. (2019). Theorizing fundamental music/dance interactions in salsa. Music Theory Spectrum, 41(1), 74103.
  26. Stover, C. (2017). Affect and improvising bodies. Perspectives of New Music, 55(2), 566.
  27. Toussaint, G. (2003). Classification and phylogenetic analysis of African ternary rhythm timelines. In Meeting Alhambra, ISAMA‑BRIDGES Conference Proceedings (pp. 2536).
DOI: https://doi.org/10.5334/tismir.183 | Journal eISSN: 2514-3298
Language: English
Submitted on: Feb 1, 2024
Accepted on: Aug 12, 2024
Published on: Dec 3, 2024
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2024 Daniel Gómez-Marín, Rafael Ospina-Caicedo, Javier Díaz-Cely, Jesús Paz, Sergi Jordà, Perfecto Herrera, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.