| SECTION | COMPONENT | FUNCTION |
|---|---|---|
| Rajah | Rajah Bubuka | Opening invocation – establishing spiritual context, addressing ancestors and divine forces |
| Rajah Pamunah | Cleansing mantra – purifying the ritual space, performers, and participants | |
| Kidung Buhun | Kidung Buhun | Ancient song – transitional passage connecting invocation to narrative |
| Lakon | Patwa | Prelude to the story – situating the juru pantun’s authority and the narrative’s cosmological frame |
| Carita | The story of Raden Cakra – semi-improvised narrative core including Béwara Léngsér (royal proclamation) | |
| Bobodoran & Sisindiran | Entertainment interlude – comic verbal play (bobodoran) and rhyming riddle-verse (sisindiran); sustains audience engagement | |
| Lakon – end | Closing – narrative resolution and reintegration, including the cosmological dispersal of the Cupumanik Astagina |
