References
- Bevington, David. (Ed.) 2007. Shakespeare’s Comedies. London and New York: Pearson Longman.
- Callaghan, Dympna. 2000. Shakespeare without Women. Representing Gender and Race onthe Renaissance Stage. London and New York: Routledge.
- Cavanagh, Sheila T. 2001. Cherished Torment: The Emotional Geography of Lady MaryWroth’s Urania. Duquesne University Press.
- Cooper, Helen. 2004. The English Romance in Time. Oxford and New York: Oxford University Press.
- Green, D. H. 2003. The Beginnings of Medieval Romance. Fact and Fiction, 1150-1220. Cambridge and New York: Cambridge University Press.
- Hillman, R. 1992. Intertextuality and Romance in Renaissance Drama. London: Macmillan.
- Lamb, Mary Ellen, Valerie Wayne (Eds.). 2009. Staging Early Romance. Prose Fiction,Dramatic Romance, and Shakespeare. New York and London: Routledge.
- Nanu, Adina. 2001. Arta pe om. Look-ul şi înţelesul semnelor vestimentare. Bucureşti: Compania.
- Roberts, Josephine A. (Ed.). 1995. Lady Mary Wroth, The First Part of the Countess ofMontgomery’s Urania. Medieval and Reniassance Texts and Studies.
- Sidney, Philip. 2011. The Countess of Pembroke’s Arcadia. Forgotten Books, kindle edition.
- Smith, Bruce R. 1995. Homosexual Desire in Shakespare’s England. A Cultural Poetics. Chicago: University of Chicago Press.
- Traub, Valerie. 1992. Desire and Anxiety. Circulations of Sexuality in ShakespareanDrama. London and New York: Routledge.
- Zurcher, Amelia A. 2007. Seventeenth Century English Romance. Allegory, Ethics, andPolitics. New York: Palgrave Macmillan.
- Yates, Frances A. 1985. Astraea. The Imperial Theme in the Sixteenth Century. New York and London: Routledge.