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The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski

Open Access
|Aug 2019

References

  1. Balázs, Havasi, “Daisyʹs Secret”, “The Road”, “Faena”, “The Duel”, ̏ “Storm”, “Sunrise”, “Hypnotic”, in Album Arena Show 2017, Hungarian Radio Studio no.6, Budapest, 2017.
  2. Balázs, Havasi, “Etude no.1-no.13”, in Album Solo Piano Etudes no.1-no.13. Havasi Entertainment Ltd. 2014, Budapest, 2014.
  3. Balázs, Havasi, “Spring. Cultural Bridge Symphony”, in Album Symphonic Arena-Show 2014. Budapest, 2014, length 4:56.
  4. Balázs, Havasi, “Lacrimosa”, in Album Drum& Piano. Havasi Entertainment Ltd., Budapest, 2013, length 4:05.
  5. Balázs, Havasi & Yunnan Province Art Group, “The Unbending Chinese Tree” on Album Symphonic II, Havasi Entertainment Ltd., Budapest, 2013, length 5:01.
  6. Balázs, Havasi, “Terra Rosa”, in Album Havasi-Red, EMI Music Publishing, Budapest, 2008, length 4:23.
  7. Cortazar, Ernesto, (1) “Beethoven Silence”, in Just for You, 2009, length 9:54. Other source is (2) https://www.youtube.com/watch?v=YFD2PPAqNbw, accessed 13 august 2018, length 9:56.
  8. Einaudi, Ludovico, “Elements”, in Album Elements, FIMI Italy, 2015, lenght 6:05.
  9. Heidegger, Martin, (1) An Introduction to Metaphysics, translated by Ralph Manheim, M.B. Publishers Private Limited, Delhi, 1999, 2005. (2) Introducere în metafizică, Romanian edition, translation by Gabriel Liiceanu and Thomas Kleininger, Humanitas Publishing, București, 2011.
  10. Heidegger, Martin, Being and Time, translated by Joan Stambaugh, State University of New York Press, New York, 1996.
  11. Huray, Peter le; Day, James, Music and the Aesthetics in the Eighteenth and Early-Nineteenth Century, Cambridge University Press, Cambridge, 1981 [1988].
  12. Kant, Immanuel, The Critique of the Pure Reason, translated and edited by Paul Guyer and Allan W. Wood, Cambridge University Press & Yale University Press, Pennsylvania & Yale, 1988.
  13. Kershaw, Baz; Nicholson, Helen, “Introduction: Doing Methods creatively”, in book Research Methods in Theatre and Performance, edited by Baz Kershaw and Helen Nicholson, Edinburgh University Press, Edinburgh, 1988, pp. I-XVI.
  14. Kivy, Peter, New Essays on Musical Understanding, Clarendon Press, Oxford, 2001.10.1093/oso/9780198250838.001.0001
  15. Lippman, Arthur E., “Symbolism in Music”, in The Musical Quarterly 39 (4), 554. Oxford, Oxford University Press, 1953: 554-575.10.1093/mq/XXXIX.4.554
  16. Papu, Edgar, Despre stiluri (On Styles), original edition in Romanian, Eminescu Publishing, Bucharest, 1986.
  17. Sepp, Hans Reiner; Embree Lester (ed.), Handbook of Phenomenological Aesthetics, Springer, Charles University Prague & Florida Atlantic University, 2010.10.1007/978-90-481-2471-8
  18. Vianu, Tudor, Studii de filozofia culturii, (Studies in Philosophy of Culture), Romanian edition, Eminescu Publishing, Bucharest, 1982.
  19. Whitehead, Alfred North, The Concept of Nature, Cambridge University Press, Cambridge, 1920.
  20. Ziolkowski, Theodore, Classicism of the Twenties. Art, Music& Literature, Chicago Press, Chicago, 2015.10.7208/chicago/9780226184036.001.0001
DOI: https://doi.org/10.2478/saec-2019-0013 | Journal eISSN: 2601-1182 | Journal ISSN: 1221-2245
Language: English, Romanian, German, French
Page range: 137 - 148
Published on: Aug 17, 2019
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year

© 2019 Maria-Roxana Bischin, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.