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The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski

SAECULUM
Volume 47 (2019): Issue 1 (July 2019)
By:
Open Access
|Aug 2019
DOI: https://doi.org/10.2478/saec-2019-0013 | Journal eISSN: 2601-1182 | Journal ISSN: 1221-2245
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Language: English, Romanian, German, French
Page range: 137 - 148
Published on: Aug 17, 2019
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Publication frequency: 2 times per year
Keywords:
Havasi Balázs,
piano,
perception,
phenomenology of the music,
apperception,
conscience,
symbolism,
classicism
Related subjects:
Social sciences,
Communication science,
Health communication,
Cultural studies,
Cultural theory,
Media theory,
Literary studies,
Literary studies, general,
Philosophy,
Philosophy, other

© 2019 Maria-Roxana Bischin, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

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