Identification Through Technology in Contemporary Crime Narratives

Ferenc Kocsis

doi:10.2478/rjes-2014-0023

.blurhash-client-img { display: none !important; }

Identification Through Technology in Contemporary Crime Narratives

Romanian Journal of English Studies

Volume 11 (2014): Issue 1 (March 2014)

By: Ferenc Kocsis

Open Access

|May 2014

Abstract

I propose a somewhat new approach to examine the characteristic epistemological concerns that can be witnessed in Detective fiction. An approach that takes into account a constituent of the said model and was not dealt with in depth previously: the inevitable technological mediatedness between the Subjects taking part in the interpretative process that defines the subject

References

Auster, Paul. 1987. The New York Trilogy. London: Faber and Faber.
Search in Google Scholar
Blumstein, Alfred and Farrington, David (Eds.). 1996-2011. Cambridge Studies in Criminology. New York: Cambridge University Press.
Search in Google Scholar
Chandler, Raymond. 1970. The Big Sleep. London: Penguin Books.
Search in Google Scholar
Christie, Agatha. 1934. Murder on the Orient Express. New York: HarperCollins Publishers.
Search in Google Scholar
Colleton, Sara (Executive producer). (2006-present) Dexter [Television series]. USA: Showtime.
Search in Google Scholar
Doyle, Arthur Conan, Sir. 2011. The Study in Scarlet. New York: Penguin Books.
Search in Google Scholar
Fiske, John. 1987. Television Culture 2nd edition. New York: Routledge.
Search in Google Scholar
Hammett, Dashiell. 2002. The Maltese Falcon. London: Orion Books.
Search in Google Scholar
Harris, Thomas. 2009 (1981). Red Dragon. London: Arrow Books, Random House Group Limited.
Search in Google Scholar
Harris, Thomas. 2002 (1989). The Silence of the Lambs. London: Arrow Books, Random House Group Limited.
Search in Google Scholar
Harris, Thomas. 2000 (1999). Hannibal. London: Arrow Books, Random House Group Limited.
Search in Google Scholar
Lyotard, Jean-François. 2004. The Postmodern Condition: a report on knowledge. Manchester: Manchester University Press.
Search in Google Scholar
McBain, Ed. 1971. The Big Bad City. Seattle: Thomas and Mercer.
Search in Google Scholar
Petersen, J. K. 2007. Understanding Surveillance Technologies - Spy Devices, Privacy, History and Applications. Boca Raton: Auerbach Publications.
Search in Google Scholar
Puzo, Mario. 2009. The Godfather. London: Arrow Books, The Random House Group Limited.
Search in Google Scholar
Pynchon, Thomas. 2000. The Crying of Lot 49. London: Vintage Books.
Search in Google Scholar
Simon, David (Creator). (2002-2008). The Wire [Television series]. USA: HBO.
Search in Google Scholar
Scaggs, John. 2005. Crime Fiction - The New Critical Idiom. New York: Routledge.10.4324/9780203598535
Open DOI Search in Google Scholar
Thompson, Kristin. 2003. Storytelling in Film and Television. Cambridge: Harvard University Press.10.2307/j.ctv1dp0tvx
Open DOI Search in Google Scholar
Waugh, Hillary. 1976. Last Seen Wearing. London: Macmillan.
Search in Google Scholar
Williams, Raymond. 2003. Television and Cultural Form. London: Routledge.10.4324/9780203426647
Open DOI Search in Google Scholar
Zuiker, Anthony E (Creator). (2000-present). CSI: Crime scene investigation [Television series]. USA: CBS. ***. 2007. “UK has 1% of world's population but 20% of its CCTV cameras.” Daily Mail. Available: http://www.dailymail.co.uk/news/article-444819/UK-1-worlds-population-20-CCTV-cameras.html [Accessed 2014, 18 February].
Search in Google Scholar