References
- Bangs, Lance and Oliver Gondry. 2003. The Work of Director Michel Gondry. Palm Pictures, DVD.
- Barthes, Roland. (1967) 1981. “The Death of the Author”. Theories of Authorship: a Reader. John Caughie. (Ed.). London: Routledge & Kegan Paul in Association with the British Film Institute.
- Burke, Sean. 1992. The Death and Return of the Author: Criticism and Subjectivity inBarthes, Foucault andDerrida. Edinburgh: Edinburgh UP.
- Burns, Gary. “Authorship and Point-of-View Issues in Music Video” in Making Television: Authorship and theProduction Process. Robert J. Thompson (Ed.) NewYork: Praeger.
- Caughie, John. 1981. Theories of Authorship: a Reader. London: Routledge & Kegan Paul in Association with the British Film Institute.
- Cook, Nicholas. 1998. Analysing Musical Multimedia. Oxford:Clarendon Fidler, Tristan, 2007. Music video auteurs : the directors label DVDs and the music videos of Chris Cunningham,Michel Gondry and Spike Jonze. University of Western Australia.School of Social and Cultural Studies and University of Western Australia.English, Communication and Cultural Studies Discipline Group.
- Foucault, Michel. (1969) 1981. “What Is an Author?” in Theories of Authorship: a Reader. John Caughie. London: Routledge & Kegan Paul in Association with the British Film Institute
- “Pop Goes the Video” in . Sydney Morning Herald -Dec. 18th 2004 [Online] Available<http://www.smh.com.au/news/Music/Popgoesthevideo/2004/12/17/1102787260169.html>.[Acce ssed August 10th 2012].
- Staiger, Janet.2003. “Authorship Approaches” in Authorship and Film. David A. Gerstner (Ed.). New York: Routledge.
- Vernallis, Carol. 2004. Experiencing Music Video: Aesthetics and Cultural Context. New York: Columbia UP.