From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
By:
References
- Albrecht-Hohmaier, M., ‘Eine Chance für den Werkbegriff? Werk und Werkfassungen in der digitalen Ausgabe des Sarti-Projekts’, in B. Over and T. Roeder (eds),
Symposiumsbericht „Stand und Perspektiven musikwissenschaftlicher Digital Humanities-Projekte“ (=Beitragsarchiv des Internationalen Kongresses der Gesellschaft für Musikforschung ), Mainz, Schott, 2016, Available from: Schott Campus, https://schott-campus.com/wp-content/uploads/2018/09/II5Hohmaier.pdf (accessed 13 July 2021). - Albrecht-Hohmaier, M. et. al., ‘Pasticcio-Daten und Daten-Pasticcio – zur Edition kompilierter musikalischer Werke’,
editio , vol. 34, 2020, pp. 45–71. - Barnard, D., and N. Ide, ‘The text encoding initiative: Flexible and extensible document encoding’,
Journal of the American Society for Information Science , vol. 48, no. 7, July 1997, pp. 622–628. - Branscombe, P., ‘Teyber family (opera)’, in
The New Grove Dictionary Online , 2001, https://doi.org/10.1093/gmo/9781561592630.article.27759 (accessed 16 July 2021). - Calore, M., ‘Bordoni, Hasse nei teatri bolognesi del Settecento. Cronaca, organizzazione, committenza’, in I. Poniatowska and A. Żórawska-Witkowska (eds),
Johann Adolf Hasse und Polen. Materialien der Konferenz Warszawa, 10–12. Dezember 1993 , Warsaw, Instytut Muzykologii Uniwersytetu Warszawskiego, 1995, pp. 49–55. - Corago.
Repertorio e archivio di libretti del melodramma italiano dal 1600 al 1900 [website], (accessed 15 July 2021). - Fastl, C., ‘Teyber, (Maria)’, in
Die Musik in Geschichte und Gegenwart , 2016, https://www.mgg-online.com/mgg/stable/395639 (accessed 19 July 2021). - Kutsch, K. and L. Riemens, ‘Teyber, Elisabeth’, in
Großes Sängerlexikon , 4th edn, München, Saur 2003, p. 4685. - Lora, F., ‘Tesi, Vittoria, detta la Fiorentina o la Moretta’, in
Dizionario biografico degli italiani , Rome, Istituto della enciclopedia italiana, 2019, vol. 95, https://www.treccani.it/enciclopedia/tesi-vittoria-detta-la-fiorentina-o-la-moretta_%28Dizionario-Biografico%29/ (accessed 24 November 2021). - Mellace, R.,
L’autunno del Metastasio: Gli ultimi drammi per musica di Johann Adolph Hasse , Florence, Olschki, 2007. - Mellace, R., ‘Hasse's
Siroe , Thirty Years Later: A Veritable Work in Progress’,Musicology Today , vol. 18, 2021, pp. 65–74. - Mellace, R.,
Johann Adolph Hasse , trans. J. Riepe, Beeskow, Ortus, 2016. - Metastasio, P.,
Tutte le opere , Florence, Borghi, 1832. - Music Encoding Initative,
Guidelines [website], https://music-encoding.org/guidelines/v4/content/ (accessed 19 July 2021). - Pancino, L. (ed.),
Johann Adolf Hasse e Giammaria Ortes. Lettere (1760–1783) , Turnhout, Brepols, 1998. - Pasticcio Project [website], https://www.pasticcio-project.eu/ (accessed 16 July 2021).
- Polin, G., ‘Le “opere / che al dosso degli attor non son tagliate / riescon per ordinario impasticciate”. Riflessioni sullo status del testo spettacolare melodrammatico nel Settecento’, in G. Pitarresi (ed),
Responsabilità d’autore e collaborazione nell’opera dell’età barocca. Il pasticcio. Atti del Convegno Internazionale di Studi (Reggio Calabria, 2–3 ottobre 2009), Reggio Calabria, Laruffa, 2011, pp. 325–363. - Price, C., ‘Pasticcio’, in
The New Grove Dictionary Online , 2001, https://doi.org/10.1093/gmo/9781561592630.article.21051 (accessed 16 July 2021). Progetto Metastasio [website] (accessed 15 July 2021).- Sardelli, F.M.,
Catalogo delle concordanze musicali vivaldiane, Florence, Olschki, 2012. - Sartori, C.,
I libretti italiani a stampa dalle origini al 1800 , vol. 7, indici 2, Cuneo, Bertola&Locatelli, 1994. - Schmidt-Hensel, R.
‘La musica è del Signor Hasse detto il Sassone ...’: Johann Adolf Hasses ‘Opere serie’ der Jahre 1730 bis 1745; Quellen, Fassungen, Aufführungen , vol. 2: Werk-, Quellen- und Aufführungsverzeichnis, Göttingen, V&R Unipress, 2009. - Selfridge-Field, E.,
A New Chronology of Venetian Opera and Related Genres, 1660–1760 , Stanford, California, Stanford University Press, 2007. - Teich Geertinger, A., ‘Digital Encoding of Music Notation with MEI’, in M. Støkken Bue and A. Rockenberger (eds),
Notated Music in the Digital Sphere. Possibilities and Limitations , Nota bene – Studies from the National Library of Norway, vol. 15, National Library of Norway, Oslo, 2021, pp. 35–56. - Text Encoding Initiative,
Guidelines [website], 2021, https://tei-c.org/release/doc/tei-p5-doc/en/html/index.html, (accessed 19 July 2021). - Tillett, B., ‘What Is FRBR? A Conceptual Model for the Bibliographic Universe’, Washington, Library of Congress, 2013, https://www.loc.gov/cds/downloads/FRBR.PDF (accessed 19 July 2021).
- Wilkinson, M. et al., ‘The FAIR Guiding Principles for scientific data management and stewardship’,
Scientific Data, 3, 160018 (2016), https://doi.org/10.1038/sdata.2016.18 (accessed 26 November 2021). - Żórawska-Witkowska, A., ‘I drammi per musica di Johann Adolf Hasse rappresentati a Varsavia negli anni 1754–1763’, in I. Poniatowska and A. Żórawska-Witkowska (eds),
Johann Adolf Hasse und Polen. Materialien der Konferenz Warszawa, 10–12. Dezember 1993 , Warsaw, Instytut Muzykologii Uniwersytetu Warszawskiego, 1995, pp. 123–148. - Żórawska-Witkowska, A., ‘Johann Adolf Hasse's Auto-Pasticcios Performed in Dresden and Warsaw’,
18th Biennial International Conference on Baroque Music , Cremona, Palazzo Trecchi, 12 July 2018, unpublished. - Żórawska-Witkowska, A.,
Muzyka na polskim dworze Augusta III , cz. I, Lublin, Wydawnictwo Muzyczne Polihymnia, 2012. - Żórawska-Witkowska, A., ‘
Siroe re di Persia (Bologna 1733) undSiroe (Warschau-Dresden 1762/63) von Pietro Metastasio und Johann Adolf Hasse. Ein stilistischer Vergleich’, in W. Hochstein and S. Woyke (eds),Johann Adolf Hasses Musiktheater: Orte und Praxen der Aufführung. Bericht über das internationale Symposion vom 13. bis 15. April 2018 in Bayreuth , (Hasse-Studien, Sonderreihe Bd. 4), in preparation.
Language: English
Page range: 75 - 88
Published on: Dec 31, 2021
Published by: Polish Composers\' Union
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year
Keywords:
Related subjects:
© 2021 Emilia Pelliccia, Sonia Rzepka, published by Polish Composers\' Union
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.