Abstract
Within the broad tradition of structuralism there are some differences in the treatment of extra-textual reality, character motivation, and the importance of plot. The article proposes some reconciliation between the Prague School and French narratology, centred around a revision of the concept of “index”. It also asserts a fundamental continuity between the devices of poetic language and those of narrative prose. In the first section of the paper it is shown that, when Roland Barthes adapts the notion of the index to his structural narratology, he vacillates somewhat about its definition and application, sometimes associating it with metaphor and sometimes with metonymy. A consistent reflection upon Barthes’s ambivalent use of the index makes it possible to describe narrative atmosphere as well as character psychology, but still within the parameters of structuralism. This reflection yields an understanding of index that is less formalistic and more compatible with the theorization of the Prague School. The second part of the paper plays out some applications of this redefined index and poetic language for Czech literature, including examples from Vladislav Vančura and Milan Kundera.