The Formalist Cinematographic Theory: a Refined Thinking of the Expressionist Film Conception?

References

Эйхенбаум, Б. М., 1984 [1927]. Поэтика кино. Berkeley: Berkeley slavic specialities.
Search in Google Scholar Back to article
Eikhenbaum, B. M., 1982. The Poetics of Cinema. Volume 9. Russian Poetics in Translation. Oxford: RPT Publications.
Search in Google Scholar Back to article
Fourie P. J., 2001. Media Studies. Volume 2. Content, audiences, and production. Lansdowne: Juta Education.
Search in Google Scholar Back to article
Kurtz, R., 1926. Expressionismus und Film. Berlin: Verlag der Lichtbildbühne.
Search in Google Scholar Back to article
Kurtz, R., 2016. Expressionism and Film. Herts: John Libbey Publishing Ltd.
Search in Google Scholar Back to article
Levchenko, J., 2013. (Не)Признанное влияние: русский формализм и немецкий экспрессионизм. In Иванов, В. В. (Ed.), Русский формализм (1913-2013). Международный конгресс к 100-летию русской формальной школы. Тезисы докладов. Москва: Институт славяноведения РАН, pp. 52–53.
Search in Google Scholar Back to article
Tchougounnikov, S., 2020. Oskar Walzel et le formalisme russe: les éclairages croisés sur les formalismes européens. Revue germanique internationale, 31, 11–33, available at: < http://journals.openedition.org/rgi/2428 >.
Search in Google Scholar Back to article