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The Bases of Postmodernism in Harold Pinter’s play “The Homecoming” Cover

The Bases of Postmodernism in Harold Pinter’s play “The Homecoming”

Journal of Language and Cultural Education
Volume 6 (2018): Issue 3 (September 2018)
By: Salome Davituliani  
Open Access
|Jan 2019

Authors

Salome Davituliani

davituliani.salome1@gmail.com

Javakhishvili Tbilisi State University, Georgia
DOI: https://doi.org/10.2478/jolace-2018-0030 | Journal eISSN: 1339-4584 | Journal ISSN: 1339-4045
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Language: English
Page range: 151 - 157
Published on: Jan 25, 2019
Published by: SlovakEdu, o.z.
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year
Keywords:
Harold Pinter,
absurdity,
postmodernism,
reality
Related subjects:
Cultural studies,
General cultural studies,
Linguistics and semiotics,
Applied linguistics,
Language teaching and learning,
Literary studies,
Comparative literary studies,
Social sciences,
Education,
Specialist studies in education

© 2019 Salome Davituliani, published by SlovakEdu, o.z.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

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