Abi-Habib, M. (2020) Indian Bans Nearly 60 Chines Apps, Including TikTok and Wechat, June 30. Retrieved from The New York Times, August 28 from https://www.nytimes.com/2020/06/29/world/asia/tik-tok-banned-india-china.html
Ballantyne, D., & Varey, R. J. (2008). The service-dominant logic and the future of marketing. Journal of the Academy of Marketing Science, 36(11), 11–14. <a href="https://doi.org/10.1007/s11747-007-0075-8" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1007/s11747-007-0075-8</a>
Breidbach, C., & Brodie, R. (2016). “Nature and Purpose of Engagement Platforms,” in Brodie, R.J., Hollebeek, L., and Conduit, J. (Eds), Customer Engagement: Contemporary Issues and Challenges, Routledge, New York, NY, pp. 124–126
Brelhan, T. (2019). “Old Town Road” Is #1 For A Record 19th Week, August 12. Retrieved from Stereogum: https://www.stereogum.com/2054382/old-town-road-number-1-19-weeks/news/
Chandler, J., & Lusch, R. (2015). Service Systems: A Broadened Framework and Research Agenda on Value Propositions, Engagement, and Service Experience. Journal of Service Research, 18(1), 6–22.
Chen, L. Y., Huang, Z., & Baigorri, M. (2019). TikTok Owner ByteDance Aims to Build Global Reach Before IPO, October 29. Retrieved from Bloomberg: https://www.bloomberg.com/news/articles/2019-10-29/tiktok-owner-bytedance-shores-up-global-operations-before-ipo
Choi, H., & Burnes, B. (2013). The internet and value co-creation : the case of the popular music industry. Prometheus, 31(1), 35–53. <a href="https://doi.org/10.1080/08109028.2013.774595" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1080/08109028.2013.774595</a>
Chow, A. R. (2019). Lil Nas X Talks ‘Old Town Road’ and the Billboard Controversy, April 5. Retrieved from Time: https://time.com/5561466/lil-nas-x-old-town-road-billboard/
Constantin, J., & Lusch, R. (1994). Understanding Resource Management: How to Deploy Your People, Products, and Processes for Maximum Productivity. Oxford, OH: The Planning Forum.
Cooper, D. (2019). How TikTok Gets Rich While Paying Artists Pennies, February 12. Retrieved December 2019, from Pitchfork: https://pitchfork.com/features/article/the-great-music-meme-scam-how-tiktok-gets-rich-while-paying-artists-pennies/
Dahl, A. J., Milne, G. R., & Peltier, J. W. (2019). Digital health information seeking in an omni-channel environment: A shared decision-making and service-dominant logic perspective. Journal of Business Research, In Press, 1–11.
Dickson, E. (2019). The Writer of the ‘Golden Girls’ Theme Is Blowing Up on TikTok For Being Spooky, October 8. Retrieved December 2019, from Rolling Stone: https://www.rollingstone.com/culture/culture-features/spooky-scary-skeletons-tiktok-meme-895887/
Edvardsson, B., Tronvoll, B., & Gruber, T. (2010). Expanding Understanding of Service Exchange and Value Co-Creation: A Social Construction Approach. Journal of the Academy of Marketing Science, 39(2), 327–339. <a href="https://doi.org/10.1007/s11747-010-0200-y" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1007/s11747-010-0200-y</a>
Feldman, B. (2019). Before ‘Old Town Road,’ Lil Nas X Was a Tweetdecker, April 5. Retrieved from New York Magazine: https://nymag.com/intelligencer/2019/04/lil-nas-x-was-a-popular-twitter-user-before-old-town-road.html
Feldman, B. (2019). How ‘Spooky Scary Skeletons’ Became the Internet’s Halloween Anthem, October 16. Retrieved from New York Magazine: https://nymag.com/intelligencer/2019/10/how-spooky-scary-skeletons-became-tiktoks-halloween-song.html
Festa, G., Cuomo, M. T., & Metallo, G. (2019). The service-dominant logic perspective for enhancing the e-commerce of wine - A test/application on the Italian wine sector. Journal of Business Research, 101, 477–484.
Fischer, P. (2016). ‘I wanna be a Rock Star!’ Lyrical Communication in Self-Referential Rock Songs. eitschrift für Anglistik und Amerikanistik A Quarterly of Language, Literature and Culture, 64(3).
Gamble, J., & Gilmore, A. (2013). A New Era of Consumer Marketin? An Application of Co-Creational Marketing in the Music Industry. European Journal of Marketing, 47(11), 1859–1888. <a href="https://doi.org/10.1108/EJM-10-2011-0584" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1108/EJM-10-2011-0584</a>
Gamble, J. R. (2018). With a Little Help From My Fans : the Transformative Role of the Consumer in Music Co-production. Production Planning and Control, 29(10), 826–844. <a href="https://doi.org/10.1080/09537287.2018.1478148" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1080/09537287.2018.1478148</a>
Gawer, A. (2014). “Bridging Differing Perspectives on Technological Platforms: Toward an Integrative Framework,” Research Policy (43:7), pp. 1239–1249.
Genius. (2019). In Search Of: Sacramento’s Stunna Girl Landed A Million Dollar Record Deal Thanks To TikTok, August 28. Retrieved from Genius: https://genius.com/a/who-is-sacramento-rapper-stunna-girl-with-viraltiktok-hit-runway-million-dollar-capitol-records-deal
Ginsberg, G. (2019). How TikTok Propelled Absofacto’s ‘Dissolve’ Onto the Billboard Charts, Four Years After Its Release, July 11. Retrieved December 2019, from Billboard: https://www.billboard.com/articles/columns/pop/8519579/absofacto-dissolve-alternative-songs-chart-tiktok
Hutchinson, J. (2019). Micro-platformization for Digital Activism on Social Media. Information, Communication & Society, 1–17. <a href="https://doi.org/10.1080/1369118X.2019.1629612" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1080/1369118X.2019.1629612</a>
Influencer Marketing Hub. (2019). 37 TikTok Statistics That Will Blow Your Mind, December 8. Retrieved from Influencer Marketing Hub: https://influencermarketinghub.com/tiktok-statistics/
Ke, D. (2018). Going Viral with 15-Second Videos: A Marketer’s Ultimate Guide to TikTok, December 26. Retrieved from Medium: https://medium.com/@doriskeke/going-viral-with-15-second-videos-a-marketers-ultimate-guide-to-tiktok-ed6502b3da57
Kennedy, G. (2019). Lil Nas X on coming out: ‘I wanted to be someone that people are proud of, December 6. Retrieved December 2019, from Los Angeles Times: https://www.latimes.com/entertainment-arts/music/story/2019-12-06/lil-nas-x-grammys-2020-old-town-road
Koskela-Huotari, K., Edvardsson, B., Jonas, J. M., Sörhammar, D., & Witell, L. (2016, August). Innovation in service ecosystems—Breaking, making, and maintaining institutionalized rules of resource integration. Journal of Business Research, 79(8), 2964–2971.
Lal, K. (2019). How TikTok Changed The Way We Discovered Music In 2019, October 3. Retrieved from Junkee: https://junkee.com/tiktok-music-industry/224016
Leight, E. (2019). ay Sean’s ‘Ride It’ Is a Hit Again, 12 Years Later, August 29. Retrieved December 2019, from Rolling Stone: https://www.rollingstone.com/music/music-features/jay-sean-ride-it-regard-viral-tiktok-876545/
Leight, E. (2019). ‘If You Can Get Famous Easily, You’re Gonna Do It’: How TikTok Took Over Music, August 12. Retrieved from Rolling Stone: https://www.rollingstone.com/music/music-features/tiktok-video-app-growth-867587/
Letaifa, S. B., Edvarsson, B., & Tronvoll, B. (2016). The role of social platforms in transforming service ecosystems. Journal of Business Research, 69(5), 1933–1938.
Lewis, B. E. (1988). The Effect of Movement Based Instruction On First and Third Graders’ Achievement in Selected Music Listening Skills. Psychology of Music, 16, 128–142.
Locker, M. (2019, September 4). TikTok Star Stunna Girl Sparks the Flashy ‘Runway’ Challenge, September 4. Retrieved from Time: https://time.com/5667496/tiktok-star-stunna-girl-sparks-the-flashy-runway-challenge/
Lu, X., & Lu, Z. (2019). Fifteen Seconds of Fame: A Qualitative Study of Douyin, a Short Video Sharing MobileApplication in China. In G. Meiselwitz, Social Computing and Social Media. Design, Human Behavior and Analytics. HCII 2019. Lecture Notes in Computer Science, vol 11578. Springer.
Maglio, P., Vargo, S., Caswell, N., & Spohrer, J. (2009). The Service System is the Basic Abstraction of Service Science. Information Systems and E-business Management, 7(4), 395–406.
McGloin, R., & Oeldorf-Hirsch, A. (2018). Challenge Accepted! Evaluating the Personality and Social Network Characteristics of Individuals Who Participated in the ALS Ice Bucket Challenge. The Journal of Social Media in Society, 7(1), 443–455.
Medjedović, I. (2011). Secondary Analysis of Qualitative Interview Data: Objections and Experiences. Results of a German Feasibility Study. Forum: Qualitative Social Research, 12(3).
Meshi, D., Morawetz, C., & Heekeren, H. (2013). Nucleus Accumbens Response to Gains in Reputation for the Self Relative to Gains for Others Predicts Social Media Use. Frontiers in Human Neuroscience, 7(439), 1–11.
Meynhardt, T., Chandler, J. D., & Strathoff, P. (2016). Systemic principles of value co-creation: Synergetics of value and service ecosystems. Journal of Business Research, 69(8), 2981–2989.
Mitchell, R. W., & Gallaher, M. C. (2001). Memory, Embodying Music: Matching Music and Dance in. Music Perception: An Interdisciplinary Journal, 19(1), 65–85.
Montag, C. (2019). The Neuroscience of Smartphone/Social Media Usage and the Growing Need to Include Methods from ‘Psychoinformatics’. In Information Systems and Neuroscience Lecture Notes in Information Systems and Organisation 29 (pp. 275–283). Springer Nature Switzerland AG.
O’Neil, L. (2018). TikTok: the Chinese lip-syncing app taking over America, November 21. Retrieved December 2019, from The Guardian: https://www.theguardian.com/technology/2018/nov/21/tiktok-lip-synching-app-jimmy-fallon
Ordanini, A., & Nunes, J. C. (2016). From fewer blockbusters by more superstars to more blockbusters by fewer superstars: how technological innovation has impacted convergence on the music chart. International Journal of Research in Marketing, 33(2), 297–313.
Payne, O. (2019). Rapper Kyle Talks ‘Hey Julie,’ The Power Of TikTok And Furthering His Acting Career, May 10. Retrieved December 2019, from Forbes: https://www.forbes.com/sites/ogdenpayne/2019/05/10/rapper-kyle-talks-hey-julie-the-power-of-tik-tok-and-furthering-his-acting-career/
Pearce, S. (2019). “Old Town Road (Remix)” [ft. Billy Ray Cyrus], April 5. Retrieved from Pitchfork: https://pitchfork.com/reviews/tracks/lil-nas-x-old-town-road-remix-ft-billy-ray-cyrus/
Pressgrove, G., McKeever, B. W., & Jang, S. M. (2018). What is Contagious? Exploring why content goes viral on Twitter: A case study of the ALS Ice Bucket Challenge. International Journal of Nonprofit and Voluntary Sector Marketing, 23(1), 1–8.
Rice, R. (1993). Media Appropriateness: Using Social Presence Theory to Compare Traditional and New Organizational Media. Human Communication Research, 19(4), 451–484.
Saragih, H. (2019). Co-Creation Experiences in the Music Business : A Systematic Literature Review. Journal of Management Development, 38(6), 464–483. <a href="https://doi.org/10.1108/JMD-11-2018-0339" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1108/JMD-11-2018-0339</a>
Sensor Tower. (2019). Sensor Tower Blog: Authoritative Insights Into the Global App Economy, November 14. Retrieved from Sensor Tower: https://sensortower.com/blog/tiktok-downloads-1-5-billion
Setaro, S. (2019). How Data Is Making Hits and Changing the Music Industry, September 5. Retrieved from Complex: https://www.complex.com/music/2019/09/data-changing-music-industry
Shafer, E. (2019). Started on TikTok, Now We’re Here: A Look Back at the Meme-Tastic Beginning of Lil Nas X’s ‘Old Town Road’, July 29. Retrieved from Billboard: https://www.billboard.com/articles/news/8524319/lil-nas-xold-town-road-tiktok-beginning
Skog, D., Wimelius, H., & Sandberg, J. (2018). Digital service platform evolution: how Spotify leveraged boundary resources to become a global leader in music streaming. In Proceedings of the 51st Hawaii International Conference on System Sciences.
Stoldt, R., Wellman, M., Ekdale, B., & Tully, M. (2019). Professionalizing and Profiting: The Rise of Intermediaries in the Social Media Influencer Industry. Social Media + Society, 1–11.
Strapagiel, L. (2019). TikTok Has Created Another Viral Music Star in Stunna Girl, September 3. Retrieved from Buzzfeez News: https://www.buzzfeednews.com/article/laurenstrapagiel/stunna-girl-runway-tiktok-viral
Swanson, A., McCabe, D., & Hirsch, L. (2020) Backlash Grows to TikTok-Oracle Deal, September 16. Retrieved from The New York Times, September 18 from https://www.nytimes.com/2020/09/16/technology/tiktok-oracle-opposition.html
Thomas, G. (2011). A Typology for the Case Study in Social Science Following a Review of Definition, Discourse, and Structure. Qualitative Inquiry. 17(6), 511–521.
TikTok. (2019). New Flesh - Current Joys. Retrieved December 2019, from TikTok: https://www.tiktok.com/music/New-Flesh-6687949077042285318?refer=embed&source=h5_t
Tremblay, L., Worbe, Y., & Hollerman, J. (2009). Chapter 3 - The ventral striatum: a heterogeneous structure involved in reward processing, motivation, and decision-making. In J.-C. Dreher, & L. Tremblay, Handbook of Reward and Decision Making. Academic Press, Elsevier
Vargo, S., & Lusch, R. (2016). Institutions and Axioms: An Extension and Update of Service-Dominant Logic. Journal of the Academy of Marketing Science, 44(1), 5–23.
White House. (2020a). Executive Order on Addressing the Threat Posed by TikTok – Executive Orders. Retrieved August 23, 2020, from the White House: https://www.whitehouse.gov/presidential-actions/executive-order-addressing-threat-posed-tiktok/
White House. (2020b). Order Regarding the Acquisition of Musical.ly by ByteDance Ltd – Executive Orders. Retrieved August 23, 2020, from the White House: https://www.whitehouse.gov/presidential-actions/order-regarding-acquisition-musical-ly-bytedance-ltd/
Wlömert, N., & Papies, D. (2016). On-demand streaming services and music industry revenues—Insights from Spotify’s market entry. International Journal of Research in Marketing, 33(2), 314–327.
Welch, C. (2000). The archaeology of business networks : the use of archival records in case study research. Journal of Strategic Marketing, 8(2), 197–208. <a href="https://doi.org/10.1080/0965254X.2000.10815560" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">https://doi.org/10.1080/0965254X.2000.10815560</a>