References
- Butterworth, J. 2011. Plays: One Mojo The Night Heron The Winterling Leavings Parlour Song The Naked Eye, London: Nick Hern Books.
- Carrigan, T. Connell, B. and Lee, J. 1987. Toward a New Sociology of Masculinity. Brod, Ham. (Ed.). The Making of Masculinities: The New Men’s Studies, 92. Boston: Allen & Unwin.
- Collinson, L. David And Hearn, Jeff. 2001. Naming Men as Men: Implications for Work, Organization and Management. Whitehead, M. Stephen (Ed.) The Masculinities Reader, 149. Cambridge: Polity Press.
- Gilbey, R. 2013. “Jez Butterworth Recovers His Mojo”, Stage, The Guardian. http://www.theguardian.com/stage/2013/nov/04/jez-butterworth-mojo-jerusalem (accessed 07.04.2017).
- Haddox, E. Susan. 2011. Metaphor and Masculinity in Hosea, Peter Lang Publishing, New York.
- Hern, Nick. 2011. “An Interview with Jez Butterworth” in Jez Butterworth’s Plays: One, London: Nick Hern Books, pp.vii-xiv.
- Mangan, M. 2003. Staging Masculinities, Basingstoke, UK: Palgrave.
- Middeke, M. Schnierer, P. P. and Sierz, A. 2011. Guide to Contemporary British Playwrights, Methuen Drama, London: Bloomsbury Publishing Plc.
- Rabey, I. D. 2015. The Theatre and Films of Jez Butterworth, Methuen Drama.
- Stuart, Y. 1996. “Review of Mojo. By Jez Butterworth. Royal Court Downstairs” London: Duke of York’s.
- Sierz, A. 2000. In-Yer-Face Theatre. London: Faber. ---.“CoolBritannia-In-Yer-FaceTheatre”. www.inyerfacetheatre.com/archive4.html (accessed 14.03.2017).