Did You Catch The Opener?…Exploring the Transformative Dynamics of Opening Performances: A Quantitative Analysis on Streaming for Emerging Artists
Apruzzese, Jeff
There Aren’t Any Rules in Paisley Park: Applying Mark J. P. Wolf’s Theory of World-Building, Sub-Creation, and Secondary Belief to the Music and Career of Prince
Thomas, Marcus
Reviews
Guthrie, Jason Lee, Armstrong, Cutler
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Herd Behavior and Harm: How Negative Online Reviews Affect Independent Music Venues
Renard, Stan
Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Exploring the Relevance of Values Generated by Music Organisations in Consumers
Berné, Carmen, Cuadrado-García, Manuel, Múgica, Ana
The Silences of Skåne: Sonic Representations of Space and Place in the Wallander Novels and Films
Huttunen, Kaapo
Estonian filmmaker demes: A network analysis within the Estonian Film Database
Ibrus, Indrek, Ojamaa, Maarja, Kippar, Jaagup
Perspectives on the future of film education in Europe
Damásio, Manuel José
The West in the Soviet “Kingdom of Mirrors”: Entertainment of the Soviet Lithuanian Television in the Brezhnev era
Vaitelė, Tomas
Methodological reflections on the use of memories and oral sources in media-historical research in the Nordic/Baltic region: A case study on cinemagoing in Sweden
Belle, Jono Van, Jernudd, Åsa