There Aren’t Any Rules in Paisley Park: Applying Mark J. P. Wolf’s Theory of World-Building, Sub-Creation, and Secondary Belief to the Music and Career of Prince
Thomas, Marcus
Reviews
Guthrie, Jason Lee, Armstrong, Cutler
Seven Steps to Mixing Success: Applying Experiential Learning Theory to Teaching Music Mixing
Stoll, Nathaniel
Herd Behavior and Harm: How Negative Online Reviews Affect Independent Music Venues
Renard, Stan
Did You Catch The Opener?…Exploring the Transformative Dynamics of Opening Performances: A Quantitative Analysis on Streaming for Emerging Artists
Apruzzese, Jeff
Country Music: The Most Diverse Genre?
Hodges Jr., Dan Galen
Exploring the Relevance of Values Generated by Music Organisations in Consumers
Berné, Carmen, Cuadrado-García, Manuel, Múgica, Ana
The West in the Soviet “Kingdom of Mirrors”: Entertainment of the Soviet Lithuanian Television in the Brezhnev era
Vaitelė, Tomas
Estonian filmmaker demes: A network analysis within the Estonian Film Database
Ibrus, Indrek, Ojamaa, Maarja, Kippar, Jaagup
Methodological reflections on the use of memories and oral sources in media-historical research in the Nordic/Baltic region: A case study on cinemagoing in Sweden
Belle, Jono Van, Jernudd, Åsa
Perspectives on the future of film education in Europe
Damásio, Manuel José
The Silences of Skåne: Sonic Representations of Space and Place in the Wallander Novels and Films
Huttunen, Kaapo