The good, the bad, and the funny Russian: linguistic variation in telecinema
Table of contents
Frontmatter
Table of Contents
Why interdisciplinary approaches to voice studies?
Intersections of sexual orientation, bilingualism, and /s/ variation in French and German men’s speech
Assessing creaky voice quality for forensic purposes
Age and gender variation in Scottish voice quality beyond creak: a multi-measure approach
“Vocal interactions”: the use of voice in spoken word duos
The ‘Rebellious Girl Who Doesn’t Try Too Hard’: indexicality and independence in the music of Lily Allen
The good, the bad, and the funny Russian: linguistic variation in telecinema
Voice quality changes, issue arises: a new typological profile of phonation in Zhangzhou
Voice your opinion! Does modality affect the acceptability of extraction from adjunct clauses in English?
For a systematic semantic classification of imitative prosody
“A human way to talk”: poetry and synthetic voice
The conversational (human?) voice of artificial intelligence
Crying is the name of the game: crying as a resource in video-mediated social-psychiatric recovery meetings
15 chapters available
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PDF ISBN: 978-83-66675-51-3 | DOI: https://doi.org/10.2478/9788366675513
Publisher: Center for Industrial Electronics, University of Southern Denmark
Copyright owner: © 2024 Oliver Niebuhr, published by Sciendo
Publication date: 2024
Language: English
Pages: 101