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About Face: Seeing the Talker Improves Spoken Word Recognition but Increases Listening Effort Cover

About Face: Seeing the Talker Improves Spoken Word Recognition but Increases Listening Effort

Open Access
|Nov 2019

Abstract

It is widely accepted that seeing a talker improves a listener’s ability to understand what a talker is saying in background noise (e.g., Erber, 1969; Sumby & Pollack, 1954). The literature is mixed, however, regarding the influence of the visual modality on the listening effort required to recognize speech (e.g., Fraser, Gagné, Alepins, & Dubois, 2010; Sommers & Phelps, 2016). Here, we present data showing that even when the visual modality robustly benefits recognition, processing audiovisual speech can still result in greater cognitive load than processing speech in the auditory modality alone. We show using a dual-task paradigm that the costs associated with audiovisual speech processing are more pronounced in easy listening conditions, in which speech can be recognized at high rates in the auditory modality alone—indeed, effort did not differ between audiovisual and audio-only conditions when the background noise was presented at a more difficult level. Further, we show that though these effects replicate with different stimuli and participants, they do not emerge when effort is assessed with a recall paradigm rather than a dual-task paradigm. Together, these results suggest that the widely cited audiovisual recognition benefit may come at a cost under more favorable listening conditions, and add to the growing body of research suggesting that various measures of effort may not be tapping into the same underlying construct (Strand et al., 2018).

DOI: https://doi.org/10.5334/joc.89 | Journal eISSN: 2514-4820
Language: English
Submitted on: Jul 16, 2019
Accepted on: Nov 4, 2019
Published on: Nov 22, 2019
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2019 Violet A. Brown, Julia F. Strand, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.