References
- 1Abeln, J., Fresz, L., Amirshahi, S. A., McManus, I. C., Koch, M., Kreysa, H., & Redies, C. (2016). Preference for well-balanced saliency in details cropped from photographs. Frontiers in Human Neuroscience, 9(Article 704). DOI: 10.3389/fnhum.2015.00704
- 2Arnheim, R. (2004). Art and visual perception: A psychology of the creative eye, fiftieth anniversary printing (Rev. ed.). Berkeley and Los Angeles, CA: University of California Press. (Original work published 1954).
- 3Attneave, F. (1955). Symmetry, information, and memory for patterns. The American Journal of Psychology, 68(2), 209–222. DOI: 10.2307/1418892
- 4Bainbridge, W. A. (2017). The resiliency of memorability: A predictor of memory separate from attention and priming. ArXiv, 1703.07738 [q-bio]. Retrieved from
http://arxiv.org/abs/1703.07738 - 5Bainbridge, W. A., Dilks, D. D., & Oliva, A. (2017). Memorability: A stimulus-driven perceptual neural signature distinctive from memory. NeuroImage, 149, 141–152. DOI: 10.1016/j.neuroimage.2017.01.063
- 6Bainbridge, W. A., Isola, P., & Oliva, A. (2013). The intrinsic memorability of face photographs. Journal of Experimental Psychology: General, 142(4), 1323–1334. DOI: 10.1037/a0033872
- 7Bar, M. (2004). Visual objects in context. Nature Reviews Neuroscience, 5(8), 617–629. DOI: 10.1038/nrn1476
- 8Bell, H. H., & Handel, S. (1976). The role of pattern goodness in the reproduction of backward masked patterns. Journal of Experimental Psychology: Human Perception and Performance, 2(1), 139–150. DOI: 10.1037/0096-1523.2.1.139
- 9Borkin, M. A., Vo, A. A., Bylinskii, Z., Isola, P., Sunkavalli, S., Oliva, A., & Pfister, H. (2013). What makes a visualization memorable? IEEE Transactions on Visualization and Computer Graphics, 19(12), 2306–2315. DOI: 10.1109/TVCG.2013.234
- 10Brady, T. F., Konkle, T., & Alvarez, G. A. (2009). Compression in visual working memory: Using statistical regularities to form more efficient memory representations. Journal of Experimental Psychology. General, 138(4), 487–502. DOI: 10.1037/a0016797
- 11Brady, T. F., & Tenenbaum, J. B. (2013). A probabilistic model of visual working memory: Incorporating higher order regularities into working memory capacity estimates. Psychological Review, 120(1), 85–109. DOI: 10.1037/a0030779
- 12Broers, N., Potter, M. C., & Nieuwenstein, M. R. (2017). Enhanced recognition of memorable pictures in ultra-fast RSVP. Psychonomic Bulletin & Review, 1–7. DOI: 10.3758/s13423-017-1295-7
- 13Bylinskii, Z., Isola, P., Bainbridge, C., Torralba, A., & Oliva, A. (2015). Intrinsic and extrinsic effects on image memorability. Vision Research, 116(Part B), 165–178. DOI: 10.1016/j.visres.2015.03.005
- 14Carpenter, P., & Graham, W. (1971). Art and ideas: An approach to art appreciation. London, England: Mills and Boon.
- 15Checkosky, S. F., & Whitlock, D. (1973). Effects of pattern goodness on recognition time in a memory search task. Journal of Experimental Psychology, 100(2), 341–348. DOI: 10.1037/h0035692
- 16Clement, D. E., & Varnadoe, K. W. (1967). Pattern uncertainty and the discrimination of visual patterns. Perception & Psychophysics, 2(9), 427–431. DOI: 10.3758/BF03208782
- 17Fei-Fei, L., Iyer, A., Koch, C., & Perona, P. (2007). What do we perceive in a glance of a real-world scene? Journal of Vision, 7(1), 10. DOI: 10.1167/7.1.10
- 18Freeman, M. (2015). The photographer’s eye: Composition and design for better digital photos. Lewes, England: The Ilex Press. DOI: 10.4324/9780240824604
- 19Gao, Z., Gao, Q., Tang, N., Shui, R., & Shen, M. (2016). Organization principles in visual working memory: Evidence from sequential stimulus display. Cognition, 146, 277–288. DOI: 10.1016/j.cognition.2015.10.005
- 20Garner, W. R. (1962). Uncertainty and structure as psychological concepts. New York, NY: Wiley.
- 21Garner, W. R. (1974). The processing of information and structure. Oxford, England: Lawrence Erlbaum.
- 22Garner, W. R., & Clement, D. E. (1963). Goodness of pattern and pattern uncertainty. Journal of Verbal Learning and Verbal Behavior, 2(5), 446–452. DOI: 10.1016/S0022-5371(63)80046-8
- 23Garner, W. R., & Sutliff, D. (1974). The effect of goodness on encoding time in visual pattern discrimination. Perception & Psychophysics, 16(3), 426–430. DOI: 10.3758/BF03198567
- 24Goetschalckx, L., Moors, P., & Wagemans, J. (2017). Image memorability across longer time intervals. Memory, 26(5), 581–588. DOI: 10.1080/09658211.2017.1383435
- 25Greene, M. R., & Oliva, A. (2009). The briefest of glances: The time course of natural scene understanding. Psychological Science, 20(4), 464–472. DOI: 10.1111/j.1467-9280.2009.02316.x
- 26Hansen, B. C., & Loschky, L. C. (2013). The contribution of amplitude and phase spectra-defined scene statistics to the masking of rapid scene categorization. Journal of Vision, 13(13), 21. DOI: 10.1167/13.13.21
- 27Hochberg, J., & McAlister, E. (1953). A quantitative approach to figural “goodness.” Journal of Experimental Psychology, 46(5), 361. DOI: 10.1037/h0055809
- 28Hochstein, S., & Ahissar, M. (2002). View from the top: Hierarchies and reverse hierarchies in the visual system. Neuron, 36(5), 791–804. DOI: 10.1016/S0896-6273(02)01091-7
- 29Hunt, R. R., & Worthen, J. B. (Eds.). (2006). Distinctiveness and memory. Oxford, NY: Oxford University Press. DOI: 10.1093/acprof:oso/9780195169669.001.0001
- 30Isola, P., Xiao, J., Parikh, D., Torralba, A., & Oliva, A. (2011). Understanding the intrinsic memorability of images. Presented at the 25th Conference on Neural Information Processing Systems (NIPS), Granada, Spain. Retrieved from
http://papers.nips.cc/paper/4451-understanding-the-intrinsic-memorability-of-images.pdf . DOI: 10.21236/ADA554133 - 31Isola, P., Xiao, J., Parikh, D., Torralba, A., & Oliva, A. (2014). What makes a photograph memorable? IEEE Transactions on Pattern Analysis and Machine Intelligence, 36(7), 1469–1482. DOI: 10.1109/TPAMI.2013.200
- 32Jahanian, A., Vishwanathan, S. V. N., & Allebach, J. P. (2015). Learning visual balance from large-scale datasets of aesthetically highly rated images. In B. E. Rogowitz, T. N. Pappas, & H. de Ridder (Eds.), Proceedings of SPIE, Human Vision and Electronic Imaging XX, (93940Y). DOI: 10.1117/12.2084548
- 33Judd, T., Ehinger, K., Durand, F., & Torralba, A. (2009). Learning to predict where humans look. In 2009 IEEE 12th International Conference on Computer Vision (pp. 2106–2113). DOI: 10.1109/ICCV.2009.5459462
- 34Khaligh-Razavi, S.-M., Bainbridge, W. A., Pantazis, D., & Oliva, A. (2016). From what we perceive to what we remember: Characterizing representational dynamics of visual memorability. BioRxiv,
049700 . DOI: 10.1101/049700 - 35Khosla, A., Raju, A. S., Torralba, A., & Oliva, A. (2015). Understanding and predicting image memorability at a large scale. In International Conference on Computer Vision (ICCV) (pp. 2390–2398). DOI: 10.1109/ICCV.2015.275
- 36Koenderink, J. J. (2015).
Perceptual organization in visual art . In J. Wagemans (Ed.), The Oxford Handbook of Perceptual Organization. New York, NY: Oxford University Press. DOI: 10.1093/oxfordhb/9780199686858.013.045 - 37Koffka, K. (1935). Principles of Gestalt psychology. New York, NY: Harcourt, Brace and Company.
- 38Kong, S., Shen, X., Lin, Z., Mech, R., & Fowlkes, C. (2016). Photo aesthetics ranking network with attributes and content adaptation. ArXiv CS, 1606.01621. Retrieved from
http://arxiv.org/abs/1606.01621 . DOI: 10.1007/978-3-319-46448-0_40 - 39Konkle, T., Brady, T. F., Alvarez, G. A., & Oliva, A. (2010a). Conceptual distinctiveness supports detailed visual long-term memory for real-world objects. Journal of Experimental Psychology. General, 139(3), 558–578. DOI: 10.1037/a0019165
- 40Konkle, T., Brady, T. F., Alvarez, G. A., & Oliva, A. (2010b). Scene memory is more detailed than you think: The role of categories in visual long-term memory. Psychological Science, 21(11), 1551–1556. DOI: 10.1177/0956797610385359
- 41Kubovy, M. (1994). The perceptual organization of dot lattices. Psychonomic Bulletin & Review, 1(2), 182–190. DOI: 10.3758/BF03200772
- 42Kubovy, M., & Wagemans, J. (1995). Grouping by proximity and multistability in dot lattices: A quantitative Gestalt theory. Psychological Science, 6(4), 225–234. DOI: 10.1111/j.1467-9280.1995.tb00597.x
- 43Kukkonen, H. T., Foster, D. H., Wood, J. R., Wagemans, J., & Van Gool, L. (1996). Qualitative cues in the discrimination of affine-gransformed minimal patterns. Perception, 25(2), 195–206. DOI: 10.1068/p250195
- 44Locher, P. J. (2003). An empirical investigation of the visual rightness theory of picture perception. Acta Psychologica, 114(2), 147–164. DOI: 10.1016/j.actpsy.2003.07.001
- 45Locher, P. J., Stappers, P. J., & Overbeeke, K. (1999). The role of balance as an organizing design principle underlying adults’ compositional strategies for creating visual displays. Acta Psychologica, 99(2), 141–161. DOI: 10.1016/S0001-6918(98)00008-0
- 46Luccio, R. (1999).
On Prägnanz . In L. Albertazzi (Ed.), Shapes of Forms, 275, 123–148. Dordrecht, Netherlands: Springer. DOI: 10.1007/978-94-017-2990-1_6 - 47Lukavskỳ, J., & Děchtěrenko, F. (2017). Visual properties and memorising scenes: Effects of image-space sparseness and uniformity. Attention, Perception, & Psychophysics, 79(7), 2044–2054. DOI: 10.3758/s13414-017-1375-9
- 48Macmillan, N. A., & Creelman, C. D. (2005). Detection theory: A user’s guide (2nd ed). Mahwah, NJ: Lawrence Erlbaum Associates.
- 49Macnab, M. (2011). Design by nature: Using universal forms and principles in design. Berkeley, CA: New Riders. Retrieved from
https://books.google.be/books?id=rSqP6z0Q9VoC - 50McParlane, P. J., Moshfeghi, Y., & Jose, J. M. (2014). “Nobody comes here anymore, It’s too crowded”: Predicting image popularity on Flickr. In Proceedings of International Conference on Multimedia Retrieval (pp. 385–391). New York, NY:
ACM . DOI: 10.1145/2578726.2578776 - 51Murdock, B. B. J. (1960). The distinctiveness of stimuli. Psychological Review, 67(1), 16–31. DOI: 10.1037/h0042382
- 52Oliva, A., & Torralba, A. (2001). Modeling the shape of the scene: A holistic representation of the spatial envelope. International Journal of Computer Vision, 42(3), 145–175. DOI: 10.1023/A:1011139631724
- 53Peterson, D. J., & Berryhill, M. E. (2013). The Gestalt principle of similarity benefits visual working memory. Psychonomic Bulletin & Review, 20(6), 1282–1289. DOI: 10.3758/s13423-013-0460-x
- 54Pomerantz, J. R. (1977). Pattern goodness and speed of encoding. Memory & Cognition, 5(2), 235–241. DOI: 10.3758/BF03197367
- 55Schnore, M. M., & Partington, J. T. (1967). Immediate memory for visual patterns: Symmetry and amount of information. Psychonomic Science, 8(10), 421–422. DOI: 10.3758/BF03332271
- 56Stadler, M., Stegagno, L., & Trombini, G. (1987). Über evidente und funktionale Phänomene der Prägnanztendenz: Ein Diskussionsbeitrag zu Kanizsa und Luccio. Gestalt Theory, 8, 136–140.
- 57Standing, L. (1973). Learning 10000 pictures. Quarterly Journal of Experimental Psychology, 25(2), 207–222. DOI: 10.1080/14640747308400340
- 58Suh, B., Ling, H., Bederson, B. B., & Jacobs, D. W. (2003). Automatic thumbnail cropping and its effectiveness. In Proceedings of the 16th Annual ACM Symposium on User Interface Software and Technology (pp. 95–104). New York, NY:
ACM . DOI: 10.1145/964696.964707 - 59Thorpe, S., Fize, D., & Marlot, C. (1996). Speed of processing in the human visual system. Nature, 381(6582), 520–522. DOI: 10.1038/381520a0
- 60Valentine, T. (1991). A unified account of the effects of distinctiveness, inversion, and race in face recognition. The Quarterly Journal of Experimental Psychology Section A, 43(2), 161–204. DOI: 10.1080/14640749108400966
- 61van der Helm, P. A., & Leeuwenberg, E. L. J. (1996). Goodness of visual regularities: A non-transformational approach. Psychological Review, 103(3), 429–456. DOI: 10.1037/0033-295X.103.3.429
- 62Vanmarcke, S., Noens, I., Steyaert, J., & Wagemans, J. (2017). Spatial frequency priming of scene perception in adolescents with and without ASD. Journal of Autism and Developmental Disorders, 47(7), 2023–2038. DOI: 10.1007/s10803-017-3123-3
- 63Vanmarcke, S., & Wagemans, J. (2015). Rapid gist perception of meaningful real-life scenes: Exploring individual and gender differences in multiple categorization tasks. I-Perception, 6(1), 19–37. DOI: 10.1068/i0682
- 64von Restorff, H. (1933). Über die Wirkung von Bereichsbildungen im Spurenfeld. Psychologische Forschung, 18(1), 299–342. DOI: 10.1007/BF02409636
- 65Wagemans, J. (1992). Perceptual use of nonaccidental properties. Canadian Journal of Psychology/Revue Canadienne de Psychologie, 46(2), 236–279. DOI: 10.1037/h0084323
- 66Wagemans, J. (1993). Skewed symmetry: A nonaccidental property used to perceive visual forms. Journal of Experimental Psychology: Human Perception and Performance, 19(2), 364–380. DOI: 10.1037/0096-1523.19.2.364
- 67Wagemans, J., Elder, J. H., Kubovy, M., Palmer, S. E., Peterson, M. A., Singh, M., & von der Heydt, R. (2012). A century of Gestalt psychology in visual perception: I. Perceptual grouping and figure-ground organization. Psychological Bulletin, 138(6), 1172–1217. DOI: 10.1037/a0029333
- 68Wagemans, J., Feldman, J., Gepshtein, S., Kimchi, R., Pomerantz, J. R., van der Helm, P. A., & van Leeuwen, C. (2012). A century of Gestalt psychology in visual perception: II. Conceptual and theoretical foundations. Psychological Bulletin, 138(6), 1218–1252. DOI: 10.1037/a0029334
- 69Wagemans, J., Van Gool, L., Lamote, C., & Foster, D. H. (2000). Minimal information to determine affine shape equivalence. Journal of Experimental Psychology: Human Perception and Performance, 26(2), 443–468. DOI: 10.1037/0096-1523.26.2.443
- 70Wertheimer, M. (1923).
Untersuchungen zur Lehre von der Gestalt, II . Psychologische Forschung, 4, 301–350. (Translated as “Investigations on Gestalt principles.”) In L. Spillmann (Ed.), (2012). Max Wertheimer. On perceived motion and figural organization (pp. 127–182). Cambridge, MA: M.I.T. Press. DOI: 10.1007/BF00410640 - 71Wickham, L. H. V., Morris, P. E., & Fritz, C. O. (2000). Facial distinctiveness: Its measurement, distribution and influence on immediate and delayed recognition. British Journal of Psychology, 91(1), 99–123. DOI: 10.1348/000712600161709
- 72Woodman, G. F., Vecera, S. P., & Luck, S. J. (2003). Perceptual organization influences visual working memory. Psychonomic Bulletin & Review, 10(1), 80–87. DOI: 10.3758/BF03196470
- 73Xiao, J., Ehinger, K. A., Hays, J., Torralba, A., & Oliva, A. (2016). SUN Database: Exploring a large collection of scene categories. International Journal of Computer Vision, 119(1), 3–22. DOI: 10.1007/s11263-014-0748-y
- 74Zhou, B., Lapedriza, A., Xiao, J., Torralba, A., & Oliva, A. (2014).
Learning deep features for scene recognition using Places database . In Z. Ghahramani, M. Welling, C. Cortes, N. D. Lawrence, & K. Q. Weinberger (Eds.), Advances in Neural Information Processing Systems 27 (pp. 487–495). Red Hook, NY: Curran Associates, Inc. Retrieved fromhttp://papers.nips.cc/paper/5349-learning-deep-features-for-scene-recognition-using-places-database.pdf
