Have a personal or library account? Click to login
Cues to Lying May be Deceptive: Speaker and Listener Behaviour in an Interactive Game of Deception Cover

Cues to Lying May be Deceptive: Speaker and Listener Behaviour in an Interactive Game of Deception

Open Access
|Sep 2018

Figures & Tables

joc-1-1-46-g1.png
Figure 1

Example trial of the Guesser’s display (left) and Speaker’s display (right).

joc-1-1-46-g2.png
Figure 2

Diagrammatic setup of experiment.

(1)S: the treasure is not behind the flower that is not dying
 G: as in it’s behind the dead flower
 S: it’s behind the alive flower
Table 1

Descriptive statistics and Cohen’s Kappa (κ) between the two coders for the individual speech and gesture variables.

raw countmean (SD)κ
Speech variables (n = 1, 149)
Filled pauses288.95
Silent pauses588.97
Repetitions55.87
Restarts109.95
Substitutions36.95
Additions121.0
Prolongations334.82
Utterance duration3008.92 (1329.35)
Silent pause duration651.65 (1080.5)
Speech syllable rate3.82 (1.42)
Gestures (n = 1, 101)
Head movements651.76
Hand movements280.92
Body movements377.87
Shoulder movements26.85
Lip/mouth movements85.50
Eyebrow movements242.83
Smiles/laughter156.81
Gaze130.95
Table 2

Correlations between Speakers’ truths, Guessers’ perception of utterances as truths, and individual speech variables.

123456789101112
1. Truths1.00
2. Perception of truths0.081.00
3. Filled pauses0.12–0.091.00
4. Silent pauses0.11–0.17–0.331.00
5. Repetitions0.010.01–0.25–0.421.00
6. Restarts0.19–0.06–0.30–0.42–0.201.00
7. Substitutions–0.07–0.10–0.07–0.28–0.210.031.00
8. Additions–0.120.11–0.18–0.240.03–0.13–0.191.00
9. Prolongations–0.01–0.09–0.17–0.61–0.190.000.18–0.211.00
10. Utterance duration–0.050.070.310.560.180.280.070.080.471.00
11. Silent pause duration–0.030.090.170.590.230.170.050.070.35–0.551.00
12. Speech syllable rate0.08–0.06–0.23–0.68–0.13–0.13–0.01–0.03–0.510.640.591.00

[i] Note. Correlations are tetrachoric for associations between binomial variables (1–9); Pearson’s for associations between continuous variables (10–12); and point-biserial for associations between binomial and continuous variables. All correlations are conducted at the observation level and do not take participant or item dependencies into account.

Table 3

Disfluency categories and examples from data.

Disfluency categoryExample
Pausebehind um the banana that’s not peeled
behind the camel with (0.32) two humps
Repetitionbehind the- the cut cake
Repairthe money is th- behind the one with the big tail fin
behind the necklace which has beads coming- falling off it
behind the open- more open book
Prolongationbehind thee leaf that looks like the ace on a pack of cards
Table 4

Correlations between Speakers’ truths, Guessers’ perception of utterances as truths, and individual gestures.

12345678910
1. Truths1.00
2. Perception of truths0.081.00
3. Head movements–0.07–0.011.00
4. Hand movements–0.120.08–0.221.00
5. Body movements–0.10–0.09–0.11–0.081.00
6. Shoulder movements0.120.11–0.16–0.070.001.00
7. Lip/mouth movements0.11–0.10–0.220.16–0.10–0.251.00
8. Eyebrow movements0.010.03–0.410.12–0.08–0.12–0.331.00
9. Smiles/laughter0.070.16–0.27–0.17–0.30–0.02–0.15–0.171.00
10. Eye contact–0.070.01–0.37–0.57–0.150.100.19–0.11–0.301.00

[i] Note. All correlations are tetrachoric. Correlations are conducted at the observation level and do not take participant or item dependencies into account.

Table 5

Gesture categories and examples from data.

Gesture categoryExample
AdaptorHand movements such as scratching one’s head, adjusting one’s clothing, clasping one’s hands etc.
Body movements such as rocking forwards, backwards or sideways Postural adjustments such as slumping or straightening one’s back
IllustratorHand movements such as chopping motions to indicate a sliced carrot
Head movements such as a head shake to indicate a tree with no fruit on it
Affect displayEyebrow movements such as raised eyebrows to demonstrate surprise or furrowed brows to express concentration
Mouth movements such as pursed lips to indicate thought
Smiling or laughing during the utterance
Eye contactRaising eyes from the screen to make eye contact with the Guesser
(2)behind the comb with hairs in it
 behind the hairy comb
 behind the comb without any hair
 behind the comb that has no hair
(3)S: the treasure is behind the candle that isn’t f- very melted
 G: isn’t very melted
 S: yeah the like fresh candle
(4)S: it’s behind the- the key that has the bit on the end
 G: as in the old-fashioned key
 S: they old-fashioned key, yeah
Table 6

Cumulative AICc weights (0 ≤ Σwi ≤ 1) of speech model parameters for Speaker veracity and Guesser response.

Model parameterΣwi
Speaker veracityGuesser response
pauses0.610.79
repetitions0.270.33
repairs0.560.64
prolongations0.430.36
speech rate0.430.33
Table 7

Cumulative AICc weights (0 ≤ Σwi ≤ 1) of gesture model parameters for Speaker veracity and Guesser response.

Model parameterΣwi
Speaker veracityGuesser response
adaptors0.810.27
affect displays0.280.76
illustrators0.360.30
gaze behaviour0.320.27
joc-1-1-46-g3.png
Figure 3

Proportion of cumulative distance travelled towards each object in response to utterances including a pause, compared to other utterances, from 0 to 4000 ms after the disambiguation point. Proportions are based on the total cumulative distance covered by the mouse pointer over time. Shaded areas represent ±1 standard error of the mean.

joc-1-1-46-g4.png
Figure 4

Proportion of cumulative distance travelled towards each object in response to utterances accompanied by affect gestures, compared to other utterances, from 0 to 4000 ms after the disambiguation point. Proportions are based on the total cumulative distance covered by the mouse pointer over time. Shaded areas represent ±1 standard error of the mean.

DOI: https://doi.org/10.5334/joc.46 | Journal eISSN: 2514-4820
Language: English
Submitted on: Jun 6, 2018
Accepted on: Sep 7, 2018
Published on: Sep 27, 2018
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2018 Jia E. Loy, Hannah Rohde, Martin Corley, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.