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Rurality and Minimal Architecture: An Inquiry into the Genealogy of Tate Modern’s Bankside Gallery Spaces Cover

Rurality and Minimal Architecture: An Inquiry into the Genealogy of Tate Modern’s Bankside Gallery Spaces

By: Victoria Watson  
Open Access
|May 2018

References

  1. 1Tate. Archive Showcase, Competition Brief for Tate Modern, Item 5 of 46. Tate Archive. 2003; 18: 30. (http://www3.tate.org.uk/research/researchservices/archive/showcase/item.jsp?object=396&view=detail&parent=2073&item=2081) accessed 20/04/2016.
  2. 2Brawne, M. Jørgen Bo, Vilhelm Wohlert: Louisiana Museum, Humlebæk. Tübingen, Wasmuth; 1993.
  3. 3Herzog & de Meuron. ‘Tate Modern.’ Architecture & Urbanism. February 2000, special issue. Herzog & de Meuron (eds.). 1978–2002; 208235.
  4. 4Herzog, J. ‘Conversation, Jaques Herzog, Nicholas Serota and Rowan Moore.’ Moore, R and Ryan, R (eds.), Building Tate Modern. 2000; 3757. Tate Gallery Publishing.
  5. 5O’Doherty, B. Inside the White Cube, The Ideology of the Gallery Space, Expanded Edition, University of California Press, Berkeley, Los Angeles, London; 1976, 1981, 1986.
  6. 6Ryan, R. ‘Transformation.’ Moore, R and Ryan, R (eds.), Building Tate Modern. 2000; 1336. Tate Gallery Publishing.
  7. 7Sachs, H and Schmidt, E. (eds.). Rémy Zaugg, The Art Museum of My Dreams or A Place for the Work and the Human Being. Sternberg Press, Berlin; 2013.
DOI: https://doi.org/10.5334/ajar.46 | Journal eISSN: 2397-0820
Language: English
Published on: May 15, 2018
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2018 Victoria Watson, published by Ubiquity Press
This work is licensed under the Creative Commons Attribution 4.0 License.