Figure 1
Louisiana Museum of Modern Art; views of the buildings, garden and landscape 01 (photographs: Victoria Watson).
Figure 2
Louisiana Museum of Modern Art; views of the buildings, garden and landscape 02 (photographs: Victoria Watson).
Figure 3
Louisiana Museum of Modern Art; views of the buildings, garden and landscape 03 (photographs: Victoria Watson).
Figure 4
Louisiana Museum of Modern Art; plan diagram showing the extent of the structures and spaces in 1958.
Figure 5
Louisiana Museum of Modern Art; plan diagram showing the extent of the structures and spaces in 1982.
Figure 6
Louisiana Museum of Modern Art, Humlebæk, Denmark; plan diagram showing the extent of the structures and spaces in 1991.
Figure 7
Tate Bankside Art Space; external view looking toward the east end of the building (photograph: Victoria Watson).
Figure 8
Tate Bankside Art Space; two internal views, above looking across the level 4 foyer, below looking down into the Turbine Hall from the level 4 foyer (the work on display beneath is an installation by Abraham Cruzvillegas entitled Empty Lot, commissioned by Hyundai Motor in 2015. Photographs: Victoria Watson).
Figure 9
Tate Bankside Art Space; selected views of the gallery spaces on levels 2, 3 & 4 (photographs: Victoria Watson).
Figure 10
Tate Bankside Art Space; plans and sectional diagrams showing the gallery layouts on levels 2, 3 & 4.
Figure 11
Zaugg (below) and Goetz (above); block plan diagram showing the relationship of the studio-gallery to the respective garden context.
Figure 12
The Zauggian principles of gallery design, above right & left, plan diagram of the single spatial unit, below plan diagram of an aggregate of spatial units, based on Zaugg’s design for the Villa Favorita.