Skip to main content
Have a personal or library account? Click to login
Two Originals, One Artwork: On the Ontology of Originals and Improvisations Cover

Two Originals, One Artwork: On the Ontology of Originals and Improvisations

Open Access
|Sep 2022

References

  1. Brown, Lee B. ‘Musical Works, Improvisation, and the Principle of Continuity.’ Journal of Aesthetics and Art Criticism 54 (1996): 35369. DOI: 10.2307/431917
  2. Currie, Gregory. An Ontology of Art. New York: St. Martin’s Press, 1989. DOI: 10.1007/978-1-349-20038-2
  3. Farrelly-Jackson, Steven. ‘Fetishism and the Identity of Art.’ British Journal of Aesthetics 37 (1992): 13854. DOI: 10.1093/bjaesthetics/37.2.138
  4. Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. Oxford: Oxford University Press, 1969.
  5. Hick, Darren Hudson. ‘Ontology and the Challenge of Literary Appropriation.’ Journal of Aesthetics and Art Criticism 71 (2013): 15565. DOI: 10.1111/jaac.12004
  6. Hopkins, Robert. ‘Aesthetics, Experience, and Discrimination.’ Journal of Aesthetics and Art Criticism 63 (2005): 11933. DOI: 10.1111/j.0021-8529.2005.00189.x
  7. Ingarden, Roman. Das Literarische Kunstwerk. Tübingen: Niemeyer, 1931.
  8. Künne, Wolfgang. Abstrakte Gegenstände: Semantik und Ontologie. Frankfurt: Suhrkamp, 1983.
  9. Lamarque, Peter. ‘Work and Object.’ Proceedings of the Aristotelian Society 102 (2002): 14162. DOI: 10.1111/1467-9264.00112
  10. Levinson, Jerrold. ‘Aesthetic Properties.’ Proceedings of the Aristotelian Society 79 (2005): 191227. DOI: 10.1111/j.0309-7013.2005.00133.x
  11. Levinson, Jerrold. ‘Autographic and Allographic Art Revisited.’ Philosophical Studies 38 (1980): 36783. DOI: 10.1007/BF00419336
  12. Levinson, Jerrold. Music, Art and Metaphysics: Essays in Philosophical Aesthetics. Oxford: Oxford University Press, 2011.
  13. Merton, Robert K. ‘Resistance to the Systematic Study of Multiple Discoveries in Science.’ European Journal of Sociology 4 (1963): 23782. DOI: 10.1017/S0003975600000801
  14. Patzig, Günther. ‘Über den ontologischen Status von Kunstwerken.’ In Schmücker, Identität und Existenz, 10720.
  15. Ralls, Anthony. ‘The Uniqueness and Reproducibility of a Work of Art: A Critique of Goodman’s Theory.’ Philosophical Quarterly 22 (1972): 118. DOI: 10.2307/2218587
  16. Reicher, Maria E. Zur Metaphysik der Kunst: Eine logisch-ontologische Untersuchung des Werkbegriffs. Stuttgart: dbv, 1998.
  17. Rohrbaugh, Guy. ‘Artworks as Historical Individuals.’ European Journal of Philosophy 11 (2003): 177205. DOI: 10.1111/1468-0378.00182
  18. Schmücker, Reinold. ‘Kunstwerke als intersubjektiv-instantiale Entitäten.’ In Schmücker, Identität und Existenz, 14979.
  19. Schmücker, Reinold, ed. Identität und Existenz: Studien zur Ontologie der Kunst. Paderborn: mentis, 2003.
  20. Strawson, Peter. Individuals: An Essay in Descriptive Metaphysics. London: Methuen, 1959.
  21. Thomasson, Amie. Fictional Objects. Oxford: Oxford University Press, 2015.
  22. Wolterstorff, Nicholas. ‘Toward an Ontology of Art Works.’ Noûs 9 (1975): 11542. DOI: 10.2307/2214597
  23. Wolterstorff, Nicholas. Works and Worlds of Art. Oxford: Oxford University Press, 1980.
  24. Zemach, Eddy. ‘Art and Identity.’ British Journal of Aesthetics 31 (1991): 36368. DOI: 10.1093/bjaesthetics/31.4.363
  25. Zemach, Eddy. ‘How Paintings Are.’ British Journal of Aesthetics 29 (1989): 6571. DOI: 10.1093/bjaesthetics/29.1.65
  26. Zemach, Eddy. ‘No Identification Without Evaluation.’ British Journal of Aesthetics 26 (1986): 239351. DOI: 10.1093/bjaesthetics/26.3.239
DOI: https://doi.org/10.33134/eeja.298 | Journal eISSN: 2571-0915
Language: English
Page range: 119 - 134
Submitted on: Sep 29, 2021
Accepted on: Aug 11, 2022
Published on: Sep 15, 2022
Published by: Helsinki University Press
In partnership with: Paradigm Publishing Services

© 2022 Raphael van Riel, published by Helsinki University Press
This work is licensed under the Creative Commons Attribution 4.0 License.