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Metaphorical Mirrors and Subverting Selves in Adrienne Kennedy’s One-Act Plays Cover

Metaphorical Mirrors and Subverting Selves in Adrienne Kennedy’s One-Act Plays

By: Gabriella Tóth  
Open Access
|Feb 2013

References

  1. Barnett, C. 1997. ‘A Prison of Object Relations: Adrienne Kennedy’s Funny house of a Negro’ in Modern Drama 40. 3 Fall, Bollobás, E. 2010. ‘They Aren’t, Until I Call Them’: Performing the Subject in American literature. Frankfurt. Main: Peter Lang.
  2. Boucher, G. 2006. ‘Fractured Identity and Agency and the Plays of Adrienne Kennedy’ in Feminist Review - Postcolonial Theatres. [Online]. Available: http://www.jstor.org/stable/30232741 [2011, January 6]
  3. Douglas, S. J. 1995. Where the Girls Are: Growing Up Female with the Mass Media. New York: Three Rivers Press Curb, R. K. 1980. ‘Fragmented Selves in Adrienne Kennedy’s Funny house of a Negro and The Owl Answers’ in Theatre Journal [Online]. Available: http://www.jstor.org/stable/3207111 . [2011, January 6]
  4. Geis, D. R. 1992. ‘A Spectator Watching My Life: Adrienne Kennedy’s A Movie Star Has to Star in Black and White’ in P. K. Bryant-Jackson and L. More Overbeck (eds). Intersecting Boundaries: The Theatre of Adrienne Kennedy Minneapolis. University of Minnesota Press.
  5. Gilbert, S. M.; Gubar, S. 1979. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven, Connecticut. Yale University Press.
  6. Kennedy A. 1987. People Who Led to My Plays. New York: Knopf Inc.
  7. Kennedy A. 2001. Funnyhouse of a Negro in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press, ---. 2001. A Movie Star Has to Star in Black and White in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press,
  8. ---. 2001. The Owl Answers in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press,
  9. ---. 2001. Lesson in Dead Language in W. Sollors (ed.). The Adrienne Kennedy Reader. Minneapolis. University of Minnesota Press.
  10. Bell Hooks. 1994. ‘Introduction’ in S. Mahone (ed). Moon Marked and Touched by Sun:Plays by African-American Women. New York. Theatre Communications Group.
  11. Patsalidis, S. 1995. ‘Adrienne Kennedy’s heterotopias and the (Im)possibilities of the (Black) Female Self ‘ in M. Maufort (ed.). Staging Difference Cultural Pluralism in American Theatre and Drama. New York: Peter Lang Publishing Inc.
  12. Schrooder, P. R. 1995. ‘American Drama, Feminist Discourse, and Dramatic Form: A Defense of Critical Pluralism’ in K. Laughlin and C. Schuler (eds.). Theatre and Feminist Aesthetics. London: Associate University Press.
  13. Williams, A. D. 1989. ‘Introduction’ in D. A. Williams (ed.). Contemporary African American FemalePlaywrights: An Annotated Bibliography. Westport, Connecticut: Greenwood Press.
DOI: https://doi.org/10.2478/v10320-012-0045-2 | Journal eISSN: 2286-0134 | Journal ISSN: 1583-980X
Language: English
Page range: 270 - 285
Published on: Feb 8, 2013
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2013 Gabriella Tóth, published by West University of Timisoara
This work is licensed under the Creative Commons License.