Metaphorical Mirrors and Subverting Selves in Adrienne Kennedy’s One-Act Plays

Gabriella Tóth

doi:10.2478/v10320-012-0045-2

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Metaphorical Mirrors and Subverting Selves in Adrienne Kennedy’s One-Act Plays

Gender Studies

Volume 11 (2012): Issue 1 (November 2012)

By: Gabriella Tóth

Open Access

|Feb 2013

Abstract

Beginning her career in the 1960s, Adrienne Kennedy was one of the most influential writers of the period. Her plays subverted both Western and African American theatre. Although like her contemporaries she reacted to the political events of the period, in contrast with them she presented racial issues in a non-realistic mode. Her plays exemplify the re-theatricalisation of the African American stage.

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