Have a personal or library account? Click to login
Aesthetic Pleasure and Negative Aesthetic Experience in the Old English Martyrology Cover

Aesthetic Pleasure and Negative Aesthetic Experience in the Old English Martyrology

Open Access
|Sep 2022

References

  1. Armstrong, Thomas & Brian Detweiler-Bedell. 2008. Beauty as an emotion: The exhilarating prospect of mastering a challenging world. Review of General Psychology 12(4). 305–329. DOI: 10.1037/a0012558
  2. BWT = Bosworth, Joseph & T. Northcote Toller. 1898. An Anglo-Saxon dictionary based on the manuscript collections of the late Joseph Bosworth. Oxford University Press.
  3. Clark, Amy W. 2019. Sweart as sin: Color connotation and morality in Anglo-Saxon England. In Ruth Wehlau (ed.), Darkness, depression, and descent in Anglo-Saxon England, Medieval Institute Publications. 15–36. DOI: 10.1515/9783110661972-003
  4. Dailey, Patricia. 2012. Riddles, wonder and responsiveness in Anglo-Saxon literature. In Clare A. Lees (ed.), The Cambridge history of Early Medieval English literature, Cambridge University Press. 451–472. DOI: 10.1017/CHO9781139035637.021
  5. DOE = Cameron, Angus, Ashley Crandell Amos, Antonette di Paolo Healey, Roy Liuzza & Haruko Momma (eds.). 2018. Dictionary of Old English: A to I online. Dictionary of Old English Project. https://tapor.library.utoronto.ca/doe/ [accessed on 30/01/2021]
  6. Díaz-Vera, Javier E. 2021. Ælfric’s expressions for shame and guilt: A study in intra-writer conceptual variation. Studia Anglica Posnaniensia 56. 39–53. DOI: 10.2478/stap-2021-0018
  7. Díaz-Vera, Javier E. 2022. Soft hearts and hard souls: The multiple textures of Old English feelings and emotions. Cognitive Linguistic Studies 9(1). 128–151. DOI: 10.1075/cogls.20025.dia
  8. Fingerhut, Joerg & Jesse J. Prinz. 2018. Wonder, appreciation, and the value of art. Progress in Brain Research 237. 107–128. DOI: 10.1016/bs.pbr.2018.03.004
  9. Fingerhut, Joerg & Jesse J. Prinz. 2020. Aesthetic emotions reconsidered. The Monist 103(2). 223–239. DOI: 10.1093/monist/onz037
  10. Franzen, Allen J. 2012. Anglo-Saxon keywords. Wiley-Blackwell.
  11. Gladkova, Anna & Jesús Romero-Trillo. (eds.). 2021. The conceptualization of ‘beautiful’ and ‘ugly’ across languages and cultures. Special issue of the International Journal of Language and Culture 8(1). DOI: 10.1075/ijolc.8.1
  12. Harbus, Antonina. 2012. Cognitive approaches to Old English poetry. D.S. Brewer.
  13. Herzfeld, Georg (ed.). 1900. An Old English Martyrology. Early English Text Society.
  14. Hill, John M. (ed.). 2010. On the aesthetics of Beowulf and other Old English poems. University of Toronto Press. DOI: 10.3138/9781442698758
  15. Khan, Fahad, Javier. E. Díaz-Vera, Francisco Javier Minaya Gómez, Rafael Cruz González & Monica Monachini. 2021. Mapping conceptual variation through A Thesaurus of Old English and Evoke: Towards a topical thesaurus of Old English emotional expressions. Amsterdamer Beiträge zur Älteren Germanistik 81(3–4). 442–456. DOI: 10.1163/18756719-12340238
  16. Menninghaus, Winfried, Valentin Wagner, Julian Hanich, Eugen Wassiliwizky, Thomas Jacobsen & Stefan Koelsch. 2017. The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences 40. E347. DOI: 10.1017/S0140525X17000309
  17. Menninghaus, Winfried, Valentin Wagner, Eugen Wassiliwizky, Ines Schindler, Julian Hanich, Thomas Jacobsen & Stefan Koelsch 2019. What are aesthetic emotions? Psychological Review 126 (2). 171–195. DOI: 10.1037/rev0000135
  18. Minaya-Gómez, Francisco Javier. 2019. As beautiful inside, as it is outside: On the connection between beauty and morality in the Old English corpus. Complutense Journal of English Studies 27. 205–221. DOI: 10.5209/cjes.63808
  19. Minaya-Gómez, Francisco Javier. 2020. Mixing pleasure and beauty: Positive aesthetic experience in Old English poetry. Journal of English Studies 18. 153–179. DOI: 10.18172/jes.4417
  20. Minaya-Gómez, Francisco Javier. 2021a. The lexical domain of beatury and its metaphors in the Anglo-Saxon formulaic style. Peter Lang.10.3726/b18993
  21. Minaya-Gómez, Francisco Javier. 2021b. A world of wonders: Aesthetic emotions in Old English poetry. Unpublished Ph.D. dissertation. Universidad de Castilla-La Mancha.
  22. Minaya-Gómez, Francisco Javier. 2022. Emotions of DISGUST and UNPLEASANT PERSONAL EXPERIENCE as aesthetic responses in the Old English poetic corpus. English Studies 103(2). 179–201. DOI: 10.1080/0013838X.2021.1982219
  23. Minaya-Gómez, Francisco Javier. forthc. The lexical domains of UGLINESS and AESTHETIC HORROR in the Old English formulaic style. Atlantis.
  24. Olatunji, Bunmi O. & Craig N. Sawchuk. 2005. Disgust: Characteristic features, social manifestations, and clinical implications. Journal of Social and Clinical Psychology 24(7). 932–962. DOI: 10.1521/jscp.2005.24.7.932
  25. Porck, Thijs. 2021. Onomasiological profiles of Old English texts: Analysing the vocabulary of Beowulf, Andreas and the Old English Martyrology through linguistic linked data. Amsterdamer Beiträge zur Älteren Germanistik 81(3–4). 359–383. DOI: 10.1163/18756719-12340236
  26. Ramey, Peter. 2017. The riddle of beauty: The aesthetics of wrætlic in Old English verse. Modern Philology. 114(3). 457–481. DOI: doi.org/10.1086/68805710.1086/688057
  27. Rauer, Christine. 2003. The sources of the Old English Martyrology. Anglo-Saxon England 32. 89–109. DOI: 10.1017/S0263675103000061
  28. Rauer, Christine. 2013a. The Old English Martyrology: Edition, translation and commentary. D.S. Brewer.
  29. Rauer, Christine. 2013b. Female hagiography in the Old English Martyrology. In Paul Szarmach (ed.), Writing women saints in Anglo-Saxon England, University of Toronto Press. 1 3–29. DOI: 10.3138/9781442664579-003
  30. Reber, Rolf, Norbert Schwartz & Piotr Winkielman. 2004. Processing fluency and aesthetic pleasure: Is beauty in the perceiver’s processing experience? Personality and Social Psychology Review 8(4). 364–382. DOI: 10.1207/s15327957pspr0804_3
  31. Roseman, Ira J. & Craig A. Smith. 2001. Appraisal theory: Overview, assumptions, varieties, controversies. In Klaus R. Scherer, Angela Schorr & Tom Johnstone (eds.), Appraisal processes in emotion: Theory, methods, research, Oxford University Press. 3–19.
  32. Rosenwein, Barbara H. 2007. Emotional communities in the early Middle Ages. Cornell University Press.
  33. Scherer, Klaus R. 2005. What are emotions? And how can they be measured? Social Science Information 44(4). 695–729. DOI: 10.1177/0539018405058216
  34. Silvia, Paul J. & Elizabeth M. Brown. 2007. Anger, disgust, and the negative aesthetic emotions: Expanding an appraisal model of aesthetic experience. Psychology of Aesthetics, Creativity, and the Arts 1(2). 100–106. DOI: 10.1037/1931-3896.1.2.100
  35. Stodnick, Jacqueline. 2013. Bodies of land: The place of gender in the Old English Martyrology. In Paul Szarmach (ed.), Writing women saints in Anglo-Saxon England, University of Toronto Press. 30–52. DOI: 10.3138/9781442664579-004
  36. Stolk, Sander. 2018. Evoke. (web application). Available from: http://evoke.ullet.net/.
  37. TOE = Roberts, Jane, Christian Kay & Lynne Grundy (eds.). 2017. A Thesaurus of Old English. Glasgow: University of Glasgow. Available from http://oldenglishthesaurus.arts.gla.ac.uk/ [accessed on 31/01/2021].
  38. Trilling, Renée R. (2009). The aesthetics of nostalgia: Historical representation in Old English verse. University of Toronto Press. DOI: 10.3138/9781442697935
DOI: https://doi.org/10.2478/stap-2022-0007 | Journal eISSN: 2082-5102 | Journal ISSN: 0081-6272
Language: English
Page range: 159 - 178
Published on: Sep 13, 2022
Published by: Adam Mickiewicz University
In partnership with: Paradigm Publishing Services
Publication frequency: 4 issues per year

© 2022 Francisco Javier Minaya Gómez, published by Adam Mickiewicz University
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.