Alexander, Jeffrey C. 2004. Toward a theory of cultural trauma. In Jeffrey C. Alexander, Ron Eyerman, Bernhard Giesen, Neil Smelser & Piotr Sztompka (eds.), Cultural trauma and collective identity, 1–30. Berkeley, CA: University of California Press.10.1525/9780520936768
Carlson, David J. 2011. Trickster hermeneutics and the postindian reader: Gerald Vizenor’s constitutional praxis. Studies in American Indian Literatures 23(4). 13–47.10.5250/studamerindilite.23.4.0013
Haseltine, Patricia. 1985. The voices of Gerald Vizenor: Survival through transformation. American Indian Quarterly 9(1). 31–47. DOI: 10.2307/118465110.2307/1184651
Lee, Robert A. 2015a. Flight times in Gerald Vizenor’s Blue Ravens: White Earth mediating history. In Cathy Covell Waegner (ed.), Mediating Indianness, 91–94. East Lansing, MI: Michigan State University Press.
Lee, Robert A. 2015b. Native postmodern? Remediating history in the fiction of Stephen Graham Jones and D. L. Birchfield. In Cathy Covell Waegner (ed.), Mediating Indianness, 73– 89. East Lansing, MI: Michigan State University Press.
Magnusson, Sigurdur Gylfi. 2006. What is microhistory? History News Network. July 5. https://www.historynewsnetwork.org/article/23720 (accessed 3 July 2017)
McCall, Sophie. 2013. Intimate enemies: Weetigo, weesageechak, and the politics of reconciliation in Tomson Highway’s Kiss of the Fur Queen and Joseph Boyden’s Three Day Road. Studies in American Indian Literatures 25(3). 57–85.10.5250/studamerindilite.25.3.0057
Sokolowski, Jeanne. 2010. Between dangerous extremes: Victimization, ultranationalism, and identity performance in Gerald Vizenor’s Hiroshima Bugi: Atomu 57. American Quarterly 62(3). 717–738. DOI: 10.1353/aq.2010.000610.1353/aq.2010.0006
Talbot, Robert J. 2011. “It would be best to leave us alone”: First Nations responses to the Canadian war effort, 1914–1918. Journal of Canadian Studies 45(1). 90–120.10.3138/jcs.45.1.90
Teichler, Hanna. 2014. Joseph Boyden’s Three day road: Transcultural (post-)memory and identity in Canadian World War I fiction. In Martin Löschnigg & Marzena Sokołowska-Paryż (eds.), The Great War in post-memory literature and film, 239–254. Berlin: Walter de Gruyter. DOI: 10.1515/9783110363029.23910.1515/9783110363029.239
Vizenor, Gerald. 2006. George Morrison: Anishinaabe expressionist artist. The American Indian Quarterly 30(3–4). 646–660. DOI: 10.1353/aiq.2006.003410.1353/aiq.2006.0034
Wilson, Ross J. 2014. It still goes on: Trauma and the memory of the First World War. In Martin Löschnigg & Marzena Sokołowska-Paryż (eds.), The Great War in post-memory literature and film, 43–58. Berlin: Walter de Gruyter. DOI: 10.1515/9783110363029.4310.1515/9783110363029.43