References
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- Bottez, Monica. 2012. “Another Penelope: Margaret Atwood’s The Penelopiad”, University of Bucharest Review, vol. XIV (vol. II – new series), no. 1, pp. 49-56.
- Hutcheon, Linda. 2004. A Poetics of Postmodernism: History and Theory Fiction. London: Routledge.
- Joyce, James. 1920. Ulysses. Dublin: Shakespeare and Company.
- Kapuscinski, Kylie. 2007. “Ways of Sentencing: Female Violence and Narrative Justice in Margaret Atwood’s The Penelopiad”. Essex Human Rights Review, 4(2). ISSN: 1756-1957, 1756-1957.
- Khalid, Saman. 2010. “Margaret Atwood’s Penelopiad as Postmodern Fiction”, in Explorations. vol.21, pp.41-54.
- Nunes, Ruan. 2014. “Looking into Margaret Atwood’s The Penelopiad: Appropriation, Parody and Class Issues”, in UERJ, no. 18, pp. 228-240.
- Raymond, Maggie. 2017. Postmodern Puzzles: Creating Versions of Truth and Identity in Margaret Atwood’s “The Robber Bride” and “The Blind Assassin”. PhD Thesis, The University of Texas at Tyler.
- Sim, Stuart. 1999. The Routledge Companion to Postmodernism. London: Routledge.