References
- Boas, Frederick S. 1896. Shakspere and His Predecessors. London: John Murray, pp. 344-408.
- Gossett, Suzanne and Helen Wilcox. 2018. “Appendix 2: The Authorship Debate” in Shakespeare, William. All’s Well That Ends Well. Suzanne Gossett and Helen Wilcox (Eds.). London: Bloomsbury Publishing, pp. 359-368.
- Loughnane, Rory. 2017a. “Thomas Middleton in ‘All’s Well that Ends Well’? Part One” in The New Oxford Shakespeare: Authorship Companion. Gary Taylor and Gabriel Egan (Eds.). Oxford: Oxford University Press, pp. 278-302.
- Loughnane, Rory. 2017b. “Thomas Middleton in ‘All’s Well that Ends Well’? Part Two” in The New Oxford Shakespeare: Authorship Companion. Gary Taylor and Gabriel Egan (Eds.). Oxford: Oxford University Press, pp. 307-320.
- Maguire, Laurie and Emma Smith. 2012. “Many Hands: A New Shakespeare Collaboration?”. The Times Literary Supplement 5690:13-15.
- Maguire, Laurie. 2009. Helen of Troy: From Homer to Hollywood. Malden, Massachusetts: Wiley-Blackwell.
- Middleton, Thomas. 2007a. “A Chaste Maid in Cheapside”. Linda Woodbridge (Ed.) in Thomas Middleton: The Collected Works. Gary Taylor and John Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 907-958.
- Middleton, Thomas. 2007b. “Hengist, King of Kent; or, the Mayor of Queenborough”. Grace Ioppolo (Ed.) in Thomas Middleton: The Collected Works. Gary Taylor and John Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 1448-1487.
- Middleton, Thomas. 2007c. “Michaelmas Term”. Theodore B. Lainward (Ed.) in Thomas Middleton: The Collected Works. Gary Taylor and John Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 337-372.
- Middleton, Thomas. 2007d. “The Changeling”. Douglas Bruster (Ed.) in Thomas Middleton: The Collected Works. Gary Taylor and John Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 1632-1678.
- Middleton, Thomas. 2007e. “The Lady’s Tragedy: Parallel Texts”. Julia Briggs (Ed.) in Thomas Middleton: The Collected Works. Gary Taylor and John Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 833-906.
- Middleton, Thomas. 2007f. “Your Five Gallants”. Ralph Alan Cohen with John Jowett (Eds.) in Thomas Middleton: The Collected Works. Gary Taylor and John Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 594-636.
- Nance, John V. 2017. “Middleton and the King’s Speech in ‘All’s Well that Ends Well’” in The New Oxford Shakespeare: Authorship Companion. Gary Taylor and Gabriel Egan (Eds.). Oxford: Oxford University Press, pp. 321-336.
- Rowe, George E. 1979. Thomas Middleton and the New Comedy Tradition. Lincoln, Nebraska: University of Nebraska Press.
- Seaver, Paul S. 2007. “Middleton’s London” in Thomas Middleton: The Collected Works. Gary Taylor and John
- Lavagnino (Gen. Eds.). Oxford: Oxford University Press, pp. 59-73.
- Shakespeare, William. 2014. Antony and Cleopatra. John Wilders (Ed.). London: Bloomsbury Publishing.
- Shakespeare, William. 2018. All’s Well That Ends Well. Suzanne Gossett and Helen Wilcox (Eds.). London: Bloomsbury Publishing.
- Taylor, Gary. 2017. “’All’s Well’: Text, Date, and Adaptation” in The New Oxford Shakespeare: Authorship Companion. Gary Taylor and Gabriel Egan (Eds.). Oxford: Oxford University Press, pp. 337-365.
- Vickers, Brian and Marcus Dahl. 2012. “What is Infirm’… ‘All’s Well that Ends Well’: An Attribution Rejected”. The Times Literary Supplement 5693:14-15.
- Williams, Deanne. 2008. “Roussillon and Retrospection in ‘All’s Well that Ends Well’” in Representing France and the French in Early Modern English Drama. Jean Christophe Mayer (Ed.). Newark, Delaware: University of Delaware Press, pp. 161-177.