References
- 1. Baroncini, S., Daquino, M., & Tomasi, F. (2021). Modelling Art Interpretation and Meaning. A Data Model for Describing Iconology and Iconography. ArXiv, abs/2106.12967
- 2. Barr, Nathaniel. (2018). Intuition, reason, and creativity: An integrative dual-process perspective, in “The New Reflectionism in Cognitive Psychology”, ed. G. Pennycook, Routledge
- 3. Beaty, Roger E., Paul J. Silvia, Emily C. Nusbaum, Emanuel Jauk, Mathias Benedek (2014), The roles of associative and executive processes in creative cognition, “Memory & Cognition”, Psychonomic Society, Inc. DOI 10.3758/s13421-014-0428-8
- 4. Brier, Søren (2015) Finding an information concept suited for a universal theory of information. “Progress in biophysics and molecular biology”, 119(3), 622–633.10.1016/j.pbiomolbio.2015.06.018
- 5. Brown, Tom H. (2006) Beyond constructivism: Navigationism in the knowledge era. “On the Horizon” 14(3):108-120. Emerald Group Publishing limited, Bradford, UK10.1108/10748120610690681
- 6. Brown, Tom H. Exploring New Learning Paradigms. A Reflection on Barber, Donnelly, and Rizvi: “An Avalanche is Coming: Higher Education and the Revolution Ahead.” In “International Review of Research in Open and Distributed Learning”, Volume 16, Number 4, October – 201510.19173/irrodl.v16i4.1952
- 7. Burnham, Jack, Systems Esthetics, “Artforum” 7:1 (Sep 1968), pp 30-35; repr. in “Burnham, Great Western Salt Works”, 1974; repr. in “Systems”, ed. Shanken Edward, 2015
- 8. Capurro, Rafael and Hjørland, Birger. (2005) The Concept of Information. ARIST. 37. 343-411. 10.1002/aris.1440370109
- 9. Carboni, Nicola, Luca, Livio. (2019). An Ontological Approach to the Description of Visual and Iconographical Representations, in “Heritage”, 2. 1191-1210. 10.3390/heritage2020078
- 10. Damiano, Rossana, Lombardo, Vincenzo, Pizzo, Antonio (2019) The ontology of drama, in “Applied Ontology”, vol. 14, no. 1, pp. 79-118, 2019. DOI: 10.3233/AO-19020410.3233/AO-190204
- 11. Floridi, Luciano, ed. (2004) The Blackwell Guide to the Philosophy of Computing and Information. Blackwell Publishing10.1002/9780470757017
- 12. Floridi, Luciano (2014) How the infosphere is reshaping the human reality. The 4th revolution. Oxford University Press
- 13. Grigoraș, Florin (2010) Work of Art Analysis and Synthesis, in “Vector - artistic research in context”, Catalin Gheorghe ed., Frieze Foundation, London
- 14. Grigoraș, Florin, (2011) Work of art analysis and synthesis based on systems theory, in “Proc. 3rd Int. Conf. on Future Computer and Communication”, June 3-5, 2011, pp. 499-503. IACSIT International Association of Computer Science and Information Technology10.1115/1.859711.paper77
- 15. Simionescu, Atena-Elena, Grigoraș, F., (2011) Applying a systematic method of analysing graphic works using systems theory, in “Proc. 3rd Int. Conf. on Future Computer and Communication”, June 3-5, 2011, pp. 487 – 491. IACSIT International Association of Computer Science and Information Technology10.1115/1.859711.paper75
- 16. Gruber, T. R. (1993) A translation approach to portable ontology specifications, “Knowledge Acquisition”, vol. 5, no. 2, p. 199–220, 1993
- 17. Guarino, Nicola et al. (2009) What Is an Ontology? in “S. Staab and R. Studer (eds.), Handbook on Ontologies, International Handbooks on Information Systems”, DOI 10.1007/978-3-540-92673-3, Springer-Verlag Berlin Heidelberg10.1007/978-3-540-92673-3_0
- 18. Guizzardi, Giancarlo, Terry Halpin (2008), Ontological foundations for conceptual modelling, in “Applied Ontology” 3 (2008) 1–12, IOS Press, DOI 10.3233/AO-2008-004910.3233/AO-2008-0049
- 19. Harpring, Patricia (2010), Introduction to Controlled Vocabularies. Terminology for Art, Architecture, and Other Cultural Works, Getty Research Institute, ISBN 978-1-60606-018-6
- 20. Leder H., Nadal M. (2014). Ten years of a model of aesthetic appreciation and aesthetic judgments: the aesthetic episode - Developments and challenges in empirical aesthetics, in “British Journal of Psychology”, 105(4), 443–464. 10.1111/bjop.12084. Wiley-Blackwell
- 21. Leondes, Cornelius T., ed., (2002). Expert systems: the technology of knowledge management and decision making for the 21st century, Academic Press, ISBN 978-0-12-443880-4
- 22. Liu, Jianli, Lughofer, Edwin, Zeng, Xianyi (2017). Toward Model Building for Visual Aesthetic Perception, in “Computational Intelligence and Neuroscience”, 2017. 1-13
- 23. Munn, Katherine, Barry Smith (2008), Applied Ontology. An Introduction, Ontos Verlag10.1515/9783110324860
- 24. de Oliveira, J. M., Henriksen, D., Castañeda, L., Marimon, M., Barberà, E., Monereo, C., Coll, C., Mahiri, J., & Mishra, P. (2015). The educational landscape of the digital age: Communication practices pushing (us) forward. RUSC. “Universities and Knowledge Society Journal”, 12(2). pp. 14-29. doi http://dx.doi.org/10.7238/rusc.v12i2.244010.7238/rusc.v12i2.2440
- 25. Pelowski M, Markey P.S., Lauring J.O. and Leder H. (2016) Visualizing the Impact of Art: An Update and Comparison of Current Psychological Models of Art Experience, in “Frontiers in Human Neuroscience” 10:160. doi: 10.3389/fnhum.2016.0016010.3389/fnhum.2016.00160
- 26. Ramage, Magnus, Karen Shipp (2009) Systems Thinkers, Springer, ISBN 978-1-84882-525-310.1007/978-1-84882-525-3_1
- 27. Reynolds, Martin and Holwell, Sue (2010). Introducing systems approaches, in “Reynolds and Holwell eds. Systems Approaches to Managing Change: A Practical Guide”, Springer, pp. 1–23
- 28. Ritchey, Tom. (2012). Outline for a Morphology of Modelling Methods: Contribution to a General Theory of Modelling, in “Acta Morphologica Generalis”, Vol.1 No.1 (2012)
- 29. Roussey, Catherine, Francois Pinet, Myoung Ah Kang, Oscar Corcho (2011) An introduction to Ontologies and Ontology Engineering, in “Ontologies in Urban development projects”, p. 9-38, Springer, London10.1007/978-0-85729-724-2_2
- 30. Schweighauser, Philipp (2014) The Persistence of Information Theory, in “Traditions of Systems Theory: Major Figures and Contemporary Developments”, ed. Darrell P. Arnold. New York: Routledge, 21-44
- 31. Shanken, Edward (2013) Reprogramming Systems Aesthetics: A Strategic Historiography, in “Relive: Media Art Histories”, eds. Sean Cubitt and Paul Thomas, MIT Press, 2013, pp 83-96
- 32. Shanken Edward, ed. (2015), Systems, London: Whitechapel Gallery, MIT Press
- 33. Shannon, Claude E., Weaver, Warren (1949). The mathematical theory of communication. Urbana, Illinois: University of Illinois Press
- 34. Scarinzi, Alfonsina, ed. (2015), Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy, in “Contributions to Phenomenology”, Vol. 73, Springer10.1007/978-94-017-9379-7
- 35. Shimamura A. P., Palmer S. E. (2012) Aesthetic Science: Connecting Minds, Brains, and Experience. New York, NY: Oxford University Press10.1093/acprof:oso/9780199732142.001.0001
- 36. Staab, Steffe, Rudi Studer, ed. (2009), Handbook on Ontologies, Springer, 2nd ed10.1007/978-3-540-92673-3
- 37. Starr G. G. (2013). Feeling Beauty: The Neuroscience of Aesthetic Experience. Cambridge: MIT Pres.10.7551/mitpress/9780262019316.001.0001
- 38. Tapia-Leon, M., Rivera, A.C., Chicaiza, J., Lujan-Mora, S. (2018). Application of ontologies in higher education: A systematic mapping study, in “Proceedings of the IEEE Global Engineering Education Conference (EDUCON)” (Vol. 2018– April, pp. 1344–1353). IEEE
- 1. IAOA – The International Association for Ontology and its Applications, https://iaoa.org/
- 2. ELIA, https://elia-artschools.org/