Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division
By: Izabela Zymer
Authors
DOI: https://doi.org/10.2478/prm-2023-0009 | Journal eISSN: 2719-7891
Language: Polish
Page range: 223 - 238
Published on: Aug 9, 2024
Published by: Polish Composers’ Union
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Related subjects:
© 2024 Izabela Zymer, published by Polish Composers’ Union
This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 License.