Polski Rocznik Muzykologiczny Feed https://reference-global.com/journal/PRM Reference Global RSS Feed for Polski Rocznik Muzykologiczny Mon, 09 Nov 2026 17:36:10 GMT https://validator.w3.org/feed/docs/rss2.html https://github.com/jpmonette/feed Polski Rocznik Muzykologiczny Feed https://paradigm-files.s3.eu-central-1.amazonaws.com/PRM/cover-image.jpg https://reference-global.com/journal/PRM All rights reserved 2026, Polish Composers’ Union <![CDATA[Editorial]]> https://reference-global.com/article/10.2478/prm-2025-0013 /article/10.2478/prm-2025-0013 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Meduza Ludomira Różyckiego — od genezy do rekonstrukcji]]> https://reference-global.com/article/10.2478/prm-2025-0001 /article/10.2478/prm-2025-0001 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Absolutna — nie-absolutna, muzyka do filmu IO/EO Pawła Mykietyna]]> https://reference-global.com/article/10.2478/prm-2025-0010 /article/10.2478/prm-2025-0010 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Wiedeńskie konteksty życia i twórczości Józefa Kofflera]]> https://reference-global.com/article/10.2478/prm-2025-0011 /article/10.2478/prm-2025-0011 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Naśladując Orfeusza… Wyimki o kompozycjach Wojciecha Kilara do filmu w trzech odsłonach]]> https://reference-global.com/article/10.2478/prm-2025-0004 /article/10.2478/prm-2025-0004 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Zapomniana muzyka filmowa Henryka Czyża. Rekonesans]]> https://reference-global.com/article/10.2478/prm-2025-0006 /article/10.2478/prm-2025-0006 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Western z recyklingu. O postmodernistycznych strategiach konstruowania soundtracku w Bękartach wojny Quentina Tarantino]]> https://reference-global.com/article/10.2478/prm-2025-0009 /article/10.2478/prm-2025-0009 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[„Przedmiotem muzyki jest życie”. Forma muzyczna jako organizm albo o paradoksach muzyki absolutnej]]> https://reference-global.com/article/10.2478/prm-2025-0012 /article/10.2478/prm-2025-0012 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Mondenschein Heinego-Brahmsa op. 85. O gatunkowej osobliwości pieśni romantycznej]]> https://reference-global.com/article/10.2478/prm-2025-0007 /article/10.2478/prm-2025-0007 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Absolute vs. Program Music? Dramaturgical Topics and Program-Related New Formal Strategies as Alternatives to an Outdated Perception Pattern]]> https://reference-global.com/article/10.2478/prm-2025-0005 /article/10.2478/prm-2025-0005 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Muzyka — absolutna czy niosąca znaczenia?]]> https://reference-global.com/article/10.2478/prm-2025-0002 /article/10.2478/prm-2025-0002 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Dudy w malarstwie Jheronimusa Boscha (część I)]]> https://reference-global.com/article/10.2478/prm-2025-0008 /article/10.2478/prm-2025-0008 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Magiczne rekwizyty. Sposoby muzycznego przedstawienia przedmiotów w Pierścieniu Nibelunga Richarda Wagnera]]> https://reference-global.com/article/10.2478/prm-2025-0003 /article/10.2478/prm-2025-0003 Fri, 08 May 2026 00:00:00 GMT ARTICLE <![CDATA[Two Soviet Animated Films for Children with Music by Dmitri Shostakovich]]> https://reference-global.com/article/10.2478/prm-2024-0009 /article/10.2478/prm-2024-0009 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE <![CDATA[Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent]]> https://reference-global.com/article/10.2478/prm-2024-0001 /article/10.2478/prm-2024-0001 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE <![CDATA[Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works]]> https://reference-global.com/article/10.2478/prm-2024-0008 /article/10.2478/prm-2024-0008 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE <![CDATA[“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)]]> https://reference-global.com/article/10.2478/prm-2024-0003 /article/10.2478/prm-2024-0003 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE <![CDATA[The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action]]> https://reference-global.com/article/10.2478/prm-2024-0006 /article/10.2478/prm-2024-0006 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE <![CDATA[The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes]]> https://reference-global.com/article/10.2478/prm-2024-0007 /article/10.2478/prm-2024-0007 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE <![CDATA[Editorial; Contents]]> https://reference-global.com/article/10.2478/prm-2024-0010 /article/10.2478/prm-2024-0010 Wed, 02 Apr 2025 00:00:00 GMT ARTICLE