References
- Afilipoaie, A., Iordache, C., & Raats, T. (2021). The “Netflix original” and what it means for the production of European television content. Critical Studies in Television, 16(3), 304–25. https://doi.org/10.1177/17496020211023318.
- Bengesser, C., De Rosa, P., Jensen, P. M., & Spalletta, M. (2022a). Audiences of popular European television crime drama: A nine-country study on consumption patterns, attitudes and drivers of transcultural connection, European Journal of Communication. OnlineFirst. https://doi.org/10.1177/02673231221112535
- Bengesser, C., Esser, A., Steemers, J. (2022b). Researching audiences in the streaming era: Designing, piloting and refining a mixed methods approach, Participations, 19(1). https://www.participations.org/19-01-02-bengesser.pdf
- Bondebjerg, I., Redvall, E., Helles, R., Lai, S., Søndergaard, H., & Astrupgaard, C. (Eds.). (2017). Transnational European television drama: Production, genres and audiences. Palgrave. https://doi.org/10.1007/978-3-319-62806-6
- Collins, R. (1989). The language of advantage: Satellite television in Western Europe. Media, Culture & Society, 11(3), 351–371. https://doi.org/10.1177/016344389011003006
- Curtin, M., Holt, J., & Sanson, K. (2014). Distribution revolution: Conversations about the digital future of film and television. University of California Press.
- Danmarks Statistik. (2019). UDDAKT12: Uddannelsesaktivitet efter uddannelse, alder, herkomst, national oprindelse, køn og status [UDDAKT12: Educational activity by education, age, origin, national origin, gender and status]. Retrieved July 24, 2022, from https://www.statistikbanken.dk/statbank5a/SelectVarVal/Define.asp?MainTable=UDDAKT12&PLanguage=0&PXSId=0&wsid=cftree
- D’Arma, A., Raats, T., & Steemers, J. (2021). Public service media in the age of SVoDs: A comparative study of PSM strategic responses in Flanders, Italy and the UK. Media Culture & Society, 43(4), 682–700. https://doi.org/10.1177/0163443720972909
- EAO Yearbook. (2020). Fic-prod number of TV fiction titles produced in the EU by country – number of titles and episodes (2015–2019). European Audiovisual Observatory.
- Esser, A. (2017). Form, platform and the formation of transnational audiences: A case study of how Danish TV drama series captured television viewers in the UK. Critical Studies in Television, 12(4), 411–429. https://doi.org/10.1177/1749602017729649
- Esser, A. (2020). The appeal of “authenticity”: Danish television series and their British audiences. In P. M. Jensen, & U. Chauhan Jacobsen (Eds.), The global audiences of Danish television drama (pp. 39–56). Nordicom, University of Gothenburg. http://urn.kb.se/resolve?urn=urn:nbn:se:norden:org:diva-5897
- Gitlin, T. (1998). Under the signs of Mickey Mouse and Bruce Willis. New Perspectives Quarterly, 15, 4–7.
- Grece, C. (2021). Trends in the VOD market in EU28. European Audiovisual Observatory. https://rm.coe.int/trends-in-the-vod-market-in-eu28-final-version/1680a1511a
- Grece, C., & Jimenez Pumares, M. (2021). Film and TV Content in TVOD and SVOD Catalogues: 2021 Edition. European Audiovisual Observatory. https://rm.coe.int/vod-catalogues-2021-film-and-tv-content/1680a59d58
- Hill, A. (2018). Media experiences: Engaging with drama and reality television. Routledge. https://doi.org/10.4324/9780203103531
- Hills, M. (2017). A “Cult-like” following: Nordic Noir, Nordicana and Arrow Films’ bridging of subcultural/neocultural capital. In J. Wroot, & A. Willis (Eds.), Cult media: Re-packaged, re-released and restored (pp. 49–65). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-63679-5
- Holloway, D. (2021, January 29). Number of scripted TV shows declined in 2020, FX says. Variety. https://variety.com/2021/tv/news/number-of-scripted-tv-1234896041/
- Hoskins, C., & Mirus, R. (1988). Reasons for the US dominance of the international trade in television programmes. Media, Culture & Society, 10, 499–515. https://doi.org/10.1177/016344388010004006
- Jenner, M. (2018). Netflix & the re-invention of television. Palgrave Macmillan. https://doi.org/10.1007/978-3-319-94316-9
- Jensen, P. M., & Jacobsen, U. C. (Eds.). (2020a). The global audiences of Danish television drama. Nordicom, University of Gothenburg. http://urn.kb.se/resolve?urn=urn:nbn:se:norden:org:diva-5897
- Jensen, P. M., & Jacobsen, U. C. (2020b). Augmenting proximities theory: Including other proximities in the transnational travel of Danish television drama. In A. M. Waade, E. Redvall, & P. M. Jensen (Eds.), Danish television drama: Global lessons from a small nation (pp. 169–186). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-40798-8
- Jensen, P. M., & McCutcheon, M. (2020). Othering the self and same-ing the other. Australians watching Nordic Noir. In P. M. Jensen, & U. C. Jacobsen (Eds.), The global audiences of Danish television drama. (pp. 21–37). Nordicom, University of Gothenburg. http://urn.kb.se/resolve?urn=urn:nbn:se:norden:org:diva-5897
- Jensen, P. M., Mitric, P., Lund, T. S., & Mouritsen, A. S. (2021). What is quality audiovisual fiction as seen through the eyes of young Danish viewers? Results from an explorative survey of 8–17-year-old children. Aarhus University and University of Copenhagen. https://comm.ku.dk/research-data/danishchildrenreport_jensen__mitric__larsen___mouritsen.pdf/
- Johnson, C. (2019). Online TV. Routledge. https://doi.org/10.4324/9781315396828
- Johnson, C., Dempsey, L., & Hills. M. (2020). Routes to content: how people decide what TV to watch. University of Huddersfield. https://research.hud.ac.uk/institutes-centres/cpc/ourprojects/routes/
- Kantar. (2020). Markedet for tv og streamingtjenster i Danmark: Seer-undersøgelsens establishment survey helår 2019 [The market for TV and streaming services in Denmark: Viewership establishment survey full year 2019]. www.kantargallup.dk
- Kantar. (2021). Markedet for tv og streamingtjenester i Danmark: Seer-Undersøgelsens Establishment Survey Marts 2021 2019 [The market for TV and streaming services in Denmark: Viewership establishment survey March 2021]. www.kantargallup.dk
- Kevin, D., & Ene, L. (2015). European fiction works on TV channels. European Audiovisual Observatory. https://rm.coe.int/16807835c7
- Kulturministeriet. (2018). DR's public service-kontrakt for 2019–2023. https://slks.dk/omraader/medier/tv/public-service-tv/dr/public-service-kontrakt
- Kulturministeriet. (2021). Mediernes udvikling i Danmark: TV og streaming 2021 [Development of the media in Denmark: TV and streaming 2021]. https://mediernesudvikling.kum.dk/fileadmin/user_upload/dokumenter/medier/Mediernes_udvikling/2021/Tv_og_streaming/TV_2021_final.pdf
- Landau, N. (2016). TV outside the box. Focal Press.
- Lobato, R. (2019). Netflix nations. New York University Press.
- Lotz A. D. (2017). Portals: A treatise on internet-distributed television. Maize Books.
- Lotz, A. D., Eklund, O., & Soroka, S. (2022). Netflix, library analysis, and globalization: Rethinking mass media flows. Journal of Communication, 72(4), 511–521. https://doi.org/10.1093/joc/jqac020
- Mast, J., de Ruiter, K., & Kuppens, A. H. (2017). Linguistic proximity and global flows of television. International Journal of Communication, 11, 2562–2583. http://hdl.handle.net/1765/107412
- McDonald, K., & Smith-Rowsey, D. (Eds.). (2016). The Netflix effect. Bloomsbury.
- McElroy, R., Nielsen, J. I., & Noonan, C. (2018). Small is beautiful? The salience of scale and power to three European cultures of TV production. Critical Studies in Television, 13(2), 169–187. https://doi.org/10.1177/1749602018763566
- McElroy, R., & Noonan, C. (2019). Producing British television drama: Local production in a global era. Palgrave Macmillan. https://doi.org/10.1057/978-1-137-57875-4
- Nordic Council of Ministers. (2021). Does the Nordic language community exist? http://norden.diva-portal.org/smash/get/diva2:1535315/FULLTEXT01.pdf
- Olson, S. R. (1999). Hollywood planet: Global media and the competitive advantage of narrative transparency. Routledge. https://doi.org/10.4324/9781410604446
- Pajkovic, N. (2022). Algorithms and taste-making. Convergence, 28(1), 214–235. https://doi.org/10.1177/13548565211014464
- Parrot Analytics. (2022). International demand for UK series, film and talent. BFI. https://www.bfi.org.uk/industry-data-insights/reports/international-demand-british-content-talent
- Pearson, R. (2019). Sherlock and Elementary: The cultural and temporal value of high-end and routine transatlantic television drama. In M. Hilmes, M. Hills, & R. Pearson (Eds.), Transatlantic television drama: Industries, programs, and fans (pp. 109–130). Oxford University Press. https://doi.org/10.1093/oso/9780190663124.003.0008
- Potter A., & Steemers J. (2022). Children and the media industries: An overlooked but very special “television” audience. In P. McDonald (Ed.). The Routledge companion to media industries (pp. 247–256). Routledge. https://doi.org/10.4324/9780429275340
- Sakr, N., & Steemers, J. (2019). Screen media for Arab and European children: Policy and Production Encounters in the Multiplatform Era. Palgrave. https://doi.org/10.1007/978-3-030-25658-6
- Sakr, N., & Steemers, J. (2021). Children's television in an era of digital distribution: European and Arab responses. In P. McDonald, C. Brannon Donoghue, & T. Havens (Eds.), Digital media distribution: Portals, platforms, pipelines. (pp. 222–241). New York University Press.
- Sinclair, J., Jacka, E., & Cunningham, S. (1996). New patterns in global television: Peripheral vision. Oxford University Press.
- Steemers, J. (2004). Selling television: British television in the global marketplace. British Film Institute.
- Steemers, J. (2014). Selling television: Addressing transformations in the international distribution of television content. Media Industries Journal, 1(1). https://doi.org/10.3998/mij.15031809.0001.109
- Steemers J. (2016). International sales of U.K. television content: Change and continuity in “the space in between” production and consumption. Television & New Media, 17(8), 734–753. https://doi.org/10.1177/1527476416653481
- Steemers, J. (Principal investigator). (2022–2024). Screen encounters with Britain: What do young Europeans make of Britain and its digital screen culture. King's College London. https://www.kcl.ac.uk/research/screen-encounters-with-britain
- Straubhaar, J. (1991). Beyond media imperialism: Assymetrical interdependence and cultural proximity. Critical Studies in Mass Communication, 8(1), 39–59. https://doi.org/10.1080/15295039109366779
- Straubhaar, J. (2007). World television: From global to local. Sage. https://dx.doi.org/10.4135/9781452204147
- Straubhaar, J., de Macedo Higgens, J., V., Santillana, M., & Duarte, L. G. (2021). Multilayered identities and coexisting preferences for national and US television. In D. Yon Jin (Ed.), The Routledge handbook of digital media and globalization (pp. 233–245). Routledge. https://doi.org/10.4324/9780367816742
- Sundet, V. S. (2020). From “secret” online teen drama to international cult phenomenon: The global expansion of Skam and its public service mission. Critical Studies in Television, 15(1), 69–89. https://doi.org/10.1177/1749602019879856
- Sundet, V. S. (2021). Television drama in the age of streaming: Transnational strategies and digital production cultures at the NRK. Palgrave Pivot. https://doi.org/10.1007/978-3-030-66418-3
- TRP Research. (2017). UK television exports 2015/2016. Taunton.
