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Young Danish audiences and British screen content: A critical reflection on transnational consumption, geo-linguistic regions, and cultural proximity Cover

Young Danish audiences and British screen content: A critical reflection on transnational consumption, geo-linguistic regions, and cultural proximity

Open Access
|Feb 2023

Figures & Tables

Figure 1

Genre preferences in British content and in general (per cent)Comments: Percentages shown based on the online survey (N = 239). To clarify the genres, survey respondents were provided examples of Danish, British, and American films and series.
Genre preferences in British content and in general (per cent)Comments: Percentages shown based on the online survey (N = 239). To clarify the genres, survey respondents were provided examples of Danish, British, and American films and series.

Digital diary and interview participants

PseudonymGenderAgeOccupationLiving situationSelf-reported frequency of watching British contentSelf-reported interest in British culture (0–100)
ChitraF21Gap yearWith parents3–5 times a week74
LinaF24Student (Media Studies)Flat shareSeveral times a month33
PetraF32Self-employed editorWith partner and 2 childrenSeveral times a month83
MadsM25Student (Language & Media)With partnerSeveral times a month100
TomasM27Student (History)Flat share1–2 times a week68
JensM30Executive assistant in public relations companyWith partner1–2 times a week76
DOI: https://doi.org/10.2478/nor-2023-0005 | Journal eISSN: 2001-5119 | Journal ISSN: 1403-1108
Language: English
Page range: 85 - 105
Published on: Feb 23, 2023
Published by: University of Gothenburg Nordicom
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Cathrin Bengesser, Andrea Esser, Jeanette Steemers, published by University of Gothenburg Nordicom
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.