References
- Abidin, C. (2018). Internet celebrity: Understanding fame online. Emerald Publishing.
- Alačovska, A. (2013). Creativity in the brief: Travel guidebook writers and good work. In B. T. Christensen, & B. Moeran (Eds.), Exploring creativity: Evaluative practices in innovation, design, and the arts (pp. 172–190). Cambridge University Press.
- Andersen, M. M. T. (2019). Gatekeeping within the simplicity regime: Evaluating practices in television idea development. Media, Culture & Society, 42(4), 571–587. https://doi.org/10.1177/01634437198673
- Andersen, M. M. T. (2022). Researching creativity in media industries. Lexington Books.
- Arriagada, A., & Bishop, S. (2021). Between commerciality and authenticity: The Imaginary of social media influencers in the platform economy. Communication, Culture and Critique, 14, 568–586. https://doi.org/10.1093/ccc/tcab050
- Banet-Weiser, S. (2012). AuthenticTM: The politics of ambivalence in a brand culture. New York University Press.
- Bishop, S. (2019). Managing visibility on YouTube through algorithmic gossip. New Media & Society, 21(11-12), 2589–2606. https://doi.org/10.1177/1461444819854731
- Bishop, S. (2021, June 14). Name of the game: “Creator” and “influencer” aren’t different jobs. Who does it serve to pretend they are? Real Life. https://reallifemag.com/name-of-the-game/
- BrandPeople. (2022). Om oss [About us]. Retrieved November 28, 2022, from https://www.brandpeople.no/kontakt
- Brinkmann, S., & Kvale, S. (2015). InterViews: Learning the craft of qualitative research interviewing (3rd ed.). Sage.
- Bucher, T. (2017). The algorithmic imaginary: Exploring the ordinary effects of Facebook algorithms. Information, Communication & Society, 20(1), 30–44. https://doi.org/10.1080/1369118X.2016.1154086
- Caldwell, J. T. (2008). Production culture: Industrial reflexivity and critical practices in film and television. Duke University Press.
- Chua, S., & Westlund, O. (2022). Platform configuration: A longitudinal study and conceptualization of a legacy news publisher’s platform-related innovation practices. Online Media Global Communication, 1(1), 60–89. https://doi.org/10.1515/omgc-2022-0003
- Cunningham, S., & Craig, D. (2017). Being ‘really real’ on YouTube: Authenticity, community and brand culture in social media entertainment. Media International Australia, 164(1), 71–81. https://doi.org/10.1177/1329878X17709098
- Deller, R. (2016). Star image, celebrity reality television and the fame cycle. Celebrity Studies, 7(3), 373–389. https://doi.org/10.1080/19392397.2015.1133313
- Draper, J. (2014). Theorizing creative agency through ‘discerned savvy’: A tool for the critical study of media industries. Media, Culture & Society, 36(8), 1118–1133. https://doi.org/10.1177/0163443714545000
- Duffy, B. E. (2017). (Not) getting paid to do what you love. Yale University Press.
- Duffy, B. E., & Hund, E. (2015). “Having it all” on social media: Entrepreneurial femininity and self-branding among fashion bloggers. Social Media + Society, 1(2), 1–11. https://doi.org/10.1177/2056305115604337
- Enli, G. (2015). Mediated authenticity: How the media constructs reality. Peter Lang.
- Gagné, M., & Deci, E. L. (2005). Self-determination theory and work motivation. Journal of Organizational Behavior, 26(4), 331–362. https://doi.org/10.1002/job.322
- Gillespie, T. (2010). The politics of platforms. New Media & Society, 12(3), 347–364. https://doi.org/10.1177/1461444809342738
- Gray, J., & Johnson, D. (2013). A companion to media authorship. Wiley-Blackwell.
- Havens, T., & Lotz, A. (2012). Understanding media industries. Oxford University Press.
- Hesmondhalgh, D., & Baker, S. (2011). Creative labour: Media work in three cultural industries. Routledge. https://doi.org/10.4324/9780203855881
- Hund, E. D. (2023). The influencer industry: The quest for authenticity on social media. Princeton University Press.
- Jerslev, A. (2016). In the time of the microcelebrity: Celebrification and the YouTuber Zoella. International Journal of Communication, 10, 5233–5251. https://ijoc.org/index.php/ijoc/article/view/5078
- Kubicek, B., Paškvan, M., & Bunner, J. (2017). The bright and dark sides of job autonomy. In C. Korunka, & B. Kubicek (Eds.), Job demands in a changing world of work: Impact on workers’ health and performance and implications for research and practice (pp. 45–63). Springer. https://doi.org/10.1007/978-3-319-54678-0_4
- Lawless, B., & Chen Y.-W. (2019). Developing a method of critical thematic analysis for qualitative communication inquiry. Howard Journal of Communication, 30(1), 92–106. https://doi.org/10.1080/10646175.2018.1439423
- Lüders, M. (2024). Experience machines for well-being? Understanding how social media entertainment matters for teens. Media, Culture & Society, 47(1), 154–170. https://doi.org/10.1177/01634437241276122
- Marwick, A. E. (2013). Status update: Celebrity, publicity & branding in the social media age. Yale University Press.
- Marwick, A. E. (2016). You may know me from YouTube: (Micro) celebrity in social media. In P. D. Marshall, & S. Redmond (Eds.), A companion to celebrity (pp. 333–350). John Wiley & Sons.
- Mathisen, B. R. (2017). Entrepreneurs and idealists – Freelance journalists at the intersection of autonomy and constraints. Journalism Practice, 13(8), 1003–1007. https://doi.org/10.1080/17512786.2019.1640633
- Max Social. (2022). Om oss [About us]. Retrieved November 8, 2022, from https://maxsocial.no/
- Mazmanian, M., Orlikowski, W. J., & Yates, J. (2013). The autonomy paradox: The implications of mobile email devices for knowledge professionals. Organization Science, 24(5), 1337–1357. https://doi.org/10.1287/orsc.1120.0806
- Meese, J., & Hurcombe, E. (2020). Facebook, news media and platform dependency: The institutional impacts of news distribution on social platforms. New Media & Society, 23(8), 2367–2384. https://doi.org/10.1177/146144482092647
- Merriam-Webster. (2024). Autonomy. Retrieved March 27, 2024, from https://www.merriam-webster.com/dictionary/autonomy
- Nielsen, R. K., & Ganter, S. A. (2018). Dealing with digital intermediaries: A case study of the relationships between publishers and platforms. New Media & Society, 20(5), 1600–1617. https://doi.org/10.1177/1461444817701318
- Nussbaum, E. (2024). Cue the sun! The invention of reality TV. Penguin Random House.
- Pedersen, C. L. (2018). Applied autonomy: A practical guide to employee autonomy. The CBS Competitiveness Platform.
- Poell, T., Nieborg, D., & Duffy B. E. (2022). Platforms and cultural production. Polity.
- Raun, T. (2018). Capitalizing intimacy: New subcultural forms of microcelebrity strategies and affective labour on YouTube. Convergence, 24(1), 99–113. https://doi.org/10.1177/1354856517736983
- Ryan, B. (1991). Making Capital from culture, the corporate form of capitalist cultural production. De Gruyter.
- Ryan, R. M., & Deci, E. L. (2000). Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. American Psychologist, 55(1), 68–78. https://doi.org/10.1037/0003-066X.55.1.68
- Schudson, M. (2005). Autonomy from what? In R. Benson, & E. Neveu (Eds.), Bourdieu and the journalistic field (pp. 214–224). Polity Press.
- Senft, T. M. (2008). Camgirls: Celebrity & community in the age of social networks. Peter Lang.
- Serazio, M. (2024). The authenticity industries: Keeping it “real” in media, culture & politics. Stanford University Press.
- van Dijck, J., Poell, T., & de Waal, M. (2018). The platform society: Public values in a connective world. Oxford University Press.
- van Es, K. & Poell, T. (2020). Platform imaginaries and Dutch public service media. Social Media + Society, 6(2), 1–10. https://doi.org/10.1177/2056305120933289
- Örnebring, H., & Karlsson, M. (2022). Journalistic autonomy: The genealogy of a concept. University of Missouri Press.