FEDERICO GARCÍA LORCA’S YERMA (1937) AND RUTH CARTER’S A YEARNING (1999): THE OPPRESSION OF WOMEN THROUGH SPACE AND TIME
By: Hildegard Klein
Open Access
|Feb 2014
References
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- Aston, Elaine. 2003. Feminist Views on the English Stage. Women Playwrights, 1990-2000. Cambridge: Cambridge University Press, pp.137-140.
- Carter, Ruth 1999. A Yearning. London: Nick Hern Books Ltd.
- García Lorca. Federico. 1992 (1987). Three Plays. Blood Wedding. Yerma. The House of Bernarda Alba. Trans. Michael Dewell and Carmen Zapata. London: Penguin.
- Griffin. Gabriele. 2003. Contemporary Black and Asian Women Playwrights in Britain. Cambridge: Cambridge University Press.
- Hoftijzer, Lisa. 1995. “A Yearning”. What’s On. 20 October.
- London-Smith, Kristine. 1995. “Director’s Note”. Theatre Programme. A Yearning by Ruth Carter, produced by Tamasha Theatre Company, co- produced with Birmingham Repertory Theatre.
- Maurer, Christopher. 1992. Introduction. García Lorca, F. Three Plays. London: Penguin.
- Patel, Pragna. 1998. “Third Wave Feminism and Black Women’s Activism”, in Heidi Safia Mirza (Ed). Black British Feminism. A Reader. London: Routledge.
- Rich, Adrienne. 1984. Of Woman Born. Motherhood as Experience and Institution. London: Virago.
Language: English
Page range: 230 - 245
Published on: Feb 14, 2014
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
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© 2014 Hildegard Klein, published by West University of Timisoara
This work is licensed under the Creative Commons License.