References
- Ali, Yasmin. 1992. “Muslim Women and the Politics of Ethnicity and Culture in Northern England”, in Gita Sahgal and Nira Yuval-Davis (Eds.). Refusing Holy Orders. London: Virago Press.
- Aston, Elaine. 1999. “Geographies of Oppression - The Cross-Border Politics of (M)othering: The Break of Day and A Yearning”. Theatre Research International. Vol.24/3: 247-253.
- Aston, Elaine. 2003. Feminist Views on the English Stage. Women Playwrights, 1990-2000. Cambridge: Cambridge University Press, pp.137-140.
- Carter, Ruth 1999. A Yearning. London: Nick Hern Books Ltd.
- García Lorca. Federico. 1992 (1987). Three Plays. Blood Wedding. Yerma. The House of Bernarda Alba. Trans. Michael Dewell and Carmen Zapata. London: Penguin.
- Griffin. Gabriele. 2003. Contemporary Black and Asian Women Playwrights in Britain. Cambridge: Cambridge University Press.
- Hoftijzer, Lisa. 1995. “A Yearning”. What’s On. 20 October.
- London-Smith, Kristine. 1995. “Director’s Note”. Theatre Programme. A Yearning by Ruth Carter, produced by Tamasha Theatre Company, co- produced with Birmingham Repertory Theatre.
- Maurer, Christopher. 1992. Introduction. García Lorca, F. Three Plays. London: Penguin.
- Patel, Pragna. 1998. “Third Wave Feminism and Black Women’s Activism”, in Heidi Safia Mirza (Ed). Black British Feminism. A Reader. London: Routledge.
- Rich, Adrienne. 1984. Of Woman Born. Motherhood as Experience and Institution. London: Virago.