My paper examines Lorca’s Yerma and Carter’s A Yearning and the transposition of the work from a regressive agricultural Andalusia into a traditional urban British-Asian Punjabi community. Though written in different periods and cultures, the two plays illustrate that discrimination and domestic entrapment of women have prevailed. The heroines’ inability to fulfil their socially required roles, to procreate, condemns them to seclusion and desperation with a violent outcome
© 2014 Hildegard Klein, published by West University of Timisoara
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