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THE CONSTRUCTION OF GENDER-SPECIFIC AUDIENCES IN THE WORKS OF EARLY 17TH CENTURY WRITERS Cover

THE CONSTRUCTION OF GENDER-SPECIFIC AUDIENCES IN THE WORKS OF EARLY 17TH CENTURY WRITERS

By: Reghina Dascăl  
Open Access
|Feb 2014

References

  1. Belsey, Catherine. 1985. The Subject of Tragedy. London: Methuen.
  2. Bevington, David. 1998. “A.L. Rowse’s Dark Lady” in Aemilia Lanyer: Gender, Genre, and the Canon. Marshall Grossman (Ed.). Lexington: The University Press of Kentucky, pp.10-28.
  3. Curnow, Maureen Cheney. 1976 (1975). The Livre de la Cité des Dames of Christine de Pisan: A Critical Edition, Vanderbilt University, Ph.D., University Microfilms International Ann Arbor, Michigan; High Wycombe, England.
  4. Gamble, Sarah. 2001. The Routledge Companion to Feminism and Postfeminism. London and New York: Routledge.
  5. Lanyer, Emilia. Salve Deus Rex Iudaeorum. 2001 [1611] Renascence Editions. The University of Oregon [Online]. Available: http://www.luminarium.org/renascenceeditions/lanyer1.html [Accessed 2012, May 11].
  6. Lasocki, David and Prior, Roger. 1995. The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665. Cambridge: Scolar Press.
  7. Lerner, Gerda. 1993. The Creation of Feminist Consciousness, From the Middle Ages to 1870. Oxford, New York: Oxford University Press.
  8. Lewalski, Barbara K. 1991. “Re-Writing Patriarchy and Patronage: Margaret Clifford, Anne Clifford, and Aemilia Lanyer” in The Yearbook of English Studies. Vol. 21. (Politics, Patronage and Literature in England 1558-1658) Special Number: 87-106.
  9. Pearson, Jacqueline. 1998. “Women Writers and Women Readers” in Voicing Women. Gender and Sexuality in Early Modern Writing. Kate Chedgzoy, Melanie Hansen and Suzanne Trill (Eds.). Edinburgh, Edinburgh University Press, pp. 45-54.
  10. Pizan, Christine de. 1998 (1405). The Book of The City of Ladies. Transl. Earl Jeffrey Richardson. New York: Persea Books.
  11. Purkiss, Diane. 1994. Renaissance Women: Elizabeth Cary’s Tragedie of Mariam and Edward II and Aemilia Lanyer’s Salve Deus Rex Judaeorum. London: William Pickering.
  12. Trill, Suzanne. 1998. “Engendering Penitence: Nicholas Breton and ‘The Countesse of Penbrooke’” in Voicing Women. Gender and Sexuality in Early Modern Writing. Kate Chedgzoy, Melanie Hansen and Suzanne Trill (Eds.). Edinburgh: Edinburgh University Press, pp.25-44.
DOI: https://doi.org/10.2478/genst-2013-0013 | Journal eISSN: 2286-0134 | Journal ISSN: 1583-980X
Language: English
Page range: 213 - 229
Published on: Feb 14, 2014
Published by: West University of Timisoara
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year

© 2014 Reghina Dascăl, published by West University of Timisoara
This work is licensed under the Creative Commons License.