Somatic Montage for Immersive Cinema
References
- Albanese, M. 26 September 2016. Napoleon di Abel Gance di nuovo in sala dall’11 novembre.Stanze di Cinema https://stanzedicinema.com/2016/09/26/napoleon-di-abel-gance-di-nuovoin-sala-dall11-novembre/
- Arnheim, R. 1957. Film as Art. University of California Press.
- Bordwell, D. 1998. On the History of Film Style. Harvard University Press.
- Bragdon, CF. 1915. Projective Ornament. The Manas Press, Rochester, NY.
- Campany, D. 2008. Stillness. In Photography and Cinema. Reaktion Books, 22–59
- Chamier-Waite, Cv. 2013. The Cine-Poetics of Fulldome Cinema. In Animation Practice, Production & Process (Vol. 3). Intellect Journals, 219–33.
- Chamier-Waite, Cv. 2019. Somatic Montage: Supra-dimensional Composition in Cinema and the Arts. Dissertation, University of Southern California.
- Cohen, DS. 16 February 2012. Trumbull Lights Up ‘Hypercinema’. Variety https://variety.com/2012/film/columns/trumbull-lights-up-hypercinema-1118050369/.
- Eisenstein, S. 1949a. Dickens, Griffith and the Film Today. In Film Form: Essays in Film Theory. Harcourt Brace, 195–256.
- Eisenstein, S. 1949b. Film Form: Essays in Film Theory (trans. J. Leyda). Harcourt.
- Eisenstein, S.1989. Montage and Architecture (trans. M. Glenny). Assemblage, 10, 111–31. <a href="https://doi.org/10.2307/3171145" target="_blank" rel="noopener noreferrer" class="text-signal-blue hover:underline">10.2307/3171145</a>
- Finkelstein | S/TUDIO, C. 4 February 2017. Napoleon by Abel Gance. SOME/THINGS https://www.someslashthings.com/online-magazine/2017/1/30/napoleon-by-abel-gance
- Giedion, S. 2009. Space, Time and Architecture: The Growth of a New Tradition, Fifth Revised and Enlarged Edition (revised edition). Harvard University Press.
- Jess-Cooke, C. 2012. Film Sequels: Theory and Practice from Hollywood to Bollywood (reprint edition). Edinburgh University Press.
- Krauss, RE. 2011. Under Blue Cup. The MIT Press.
- Leyda, J. (Ed.) 1986. Eisenstein On Disney – A Classic Book (trans. A. Y. Upchurch). Seagull Books.
- Merleau-Ponty, M. and Landes, DA. 1962. The Spatiality of One’s Own Body and Motility. In Phenomenology of Perception. Routledge & Kegan Paul, 98–148.
- Neshat, S. 1998. Turbulent [two-channel video projection: LaserDisc transferred to DVD (black and white, sound)]. https://coleccion.caixaforum.com/en/obra/-/obra/ACF0681/Turbulent
- Stepanova, V. 1934. Bud Gotov (Be Ready). Vintage gelatin silver photomontage. https://www.nailyaalexandergallery.com/exhibitions/soviet-photomontage-1920s-1930s/selected-works#inquire.
- Tarkovsky, A. 1987. Sculpting in Time: Reflections on the Cinema. University of Texas Press.
- VanDerBeek, S. 1963. Movie Drome: Cine Dreams at Civico Planetario ‘Ulrico Hoepli’ https://hammer.ucla.edu/programs-events/2016/03/failure-as-a-generative-process-expanded-cinema-experiments-of-stan-vanderbeek/
- Waite, CT. 2010. Moonwalk [experimental; fulldome]. Carl Zeiss AG, Planetarium Section, Jena Germany.
- Youngblood, G. 1970. Expanded Cinema. Dutton.
DOI: https://doi.org/10.2478/csj-2021-0009 | Journal eISSN: 1836-0416
Language: English
Page range: 113 - 128
Published on: Dec 22, 2021
Published by: Tallinn
In partnership with: Paradigm Publishing Services
Publication frequency: 1 times per year
Keywords:
Related subjects:
© 2021 Clea von Chamier-Waite, published by Tallinn
This work is licensed under the Creative Commons Attribution 4.0 License.