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Somatic Montage for Immersive Cinema Cover

Somatic Montage for Immersive Cinema

Cultural Science
Volume 13 (2021): Issue 1 (December 2021)
By:   
Open Access
|Dec 2021
Figures & tables

Figures & Tables

Figure 1

Three views of the finale triptych scene of Napoléon by Abel Gance, 1927, demonstrating the extra-wide singular shot (top), the composite of three heterogeneous shots on three screens (middle), and the graphical use of colour (bottom).OmniMAX and IMAX used what is known as a ‘15-perf’, or ‘15/70’, a fifteen-sprocket hole, horizontal piece of 70mm film as opposed to the vertical ‘5-perf’, 65mm area of standard large format film, providing three times the image area per frame.

Figure 2

Moonwalk (2010) by Clea T. Waite: fulldome projection at the Adler Planetarium. Photo Mark Webb.

Figure 3

Varvara Stepanova, Bud Gotov (Be Ready), 1934. Photographs by Aleksandr Rodchenko.Image retrieved from (Stepanova 1934)

Figure 4

Stan VanDerBeek, Movie-Drome (1963/2014).VanDerBeek’s Movie-Drome was recently updated for the Civico Planetario ‘Ulrico Hoepli’ Milan in 2014. Image retrieved from VanDerBeek, 1963. Courtesy of Fondazione Nicola Trussardi, Milan and miart 2014, Milan. Photo credit: Marco De Scalzi.

Figure 5

Two views of Shirin Neshat’s video installation Turbulent (1998).Images retrieved from: https://publicdelivery.org/shirin-neshat-turbulent/ Courtesy of Shirin Neshat & Gladstone Gallery.

Figure 6

Still from Moonwalk, a fulldome digital film (© 2010 Clea T. Waite).
DOI: https://doi.org/10.2478/csj-2021-0009 | Journal eISSN: 1836-0416
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Language: English
Page range: 113 - 128
Published on: Dec 22, 2021
Published by: Max Weber Centre for Advanced Cultural and Social Studies, Erfurt University, Germany
In partnership with: Paradigm Publishing Services
Publication frequency: 1 issue per year
Keywords:
Immersive cinema,
Somatic montage,
20th-century avant-garde,
Modernism,
Relativity theory,
N-dimensional geometry,
Montage,
Sergei Eisenstein
Related subjects:
Computer sciences,
Human-machine interaction,
Cultural studies,
Cultural theory,
General cultural theory,
Topics in cultural studies,
Human-animal studies,
Linguistics and semiotics,
Semiotics,
Biosemiotics

© 2021 Clea von Chamier-Waite, published by Max Weber Centre for Advanced Cultural and Social Studies, Erfurt University, Germany
This work is licensed under the Creative Commons Attribution 4.0 License.

Volume 13 (2021): Issue 1 (December 2021)
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