Figure 1
Three views of the finale triptych scene of Napoléon by Abel Gance, 1927, demonstrating the extra-wide singular shot (top), the composite of three heterogeneous shots on three screens (middle), and the graphical use of colour (bottom).5
Figure 2
Moonwalk (2010) by Clea T. Waite: fulldome projection at the Adler Planetarium. Photo Mark Webb.
Figure 3
Varvara Stepanova, Bud Gotov (Be Ready), 1934. Photographs by Aleksandr Rodchenko.9
Figure 4
Stan VanDerBeek, Movie-Drome (1963/2014).10
Figure 5
Two views of Shirin Neshat’s video installation Turbulent (1998).12
Figure 6
Still from Moonwalk, a fulldome digital film (© 2010 Clea T. Waite).