References
- Aranyélet Kibeszélő Második Évad – 1. rész – Vendég: Farkas Franciska. 24.hu YouTube channel. https://www.youtube.com/watch?v=BLYrQgraKxY (downloaded on: 19 May 2019).
- Banóczi, E. –Kabai I–Kovássy K. 2015. A „körte”. Jel-Kép 2015/3: 121–144.10.20520/Jel-Kep.2015.3.121
- Benshoff, Harry M.–Sean Griffin. 2009. America on film: Representing race, class, gender, and sexuality at the movies. Malden, MA: Blackwell.
- Booker, Keith. 2007. Postmodern Hollywood: What’s new in film and why it makes us feel so strange. Wesport: Praeger.
- Bourdieu, Pierre 2004 [1983]. Gazdasági tőke, kulturális tőke, társadalmi tőke. In: Angelusz R. (ed.), A társadalmi rétegződés komponensei. Budapest: Új Mandátum Könyvkiadó. 122–136.
- Couldry, Nick–Anna McCarthy (eds). 2004. MediaSpace: Place, scale, and culture in a media age. London: Routledge.10.4324/9780203010228
- Edensor, Tim. 2002. National identity, popular culture and everyday life. Oxford: Berg Publishers.
- Falkheimer, Jesper–André Jansson (eds). 2006. Geographies of communication: The spatial turn in media studies. Göteborg: Nordicom.
- Feltey, Kathryn–Sutherland, Jean-Anne (eds). 2013. Cinematic sociology. Thousand Oaks, CA: Sage.
- Gardiola, C. 2010. HBO Central Europe adapts Israeli show. Shalom life.https://web.archive.org/web/20131104192043/http://www.shalomlife.com/culture/12619/hbo-central-europe-adapts-israeli-show/# (downloaded on: 17 May 2019).
- Hansen, Kim Toft–Waade, Anne Marit. 2017. Locating Nordic noir. From Beck to The bridge. Palgrave Macmillan.
- Hess, Andreas. 2001. Concepts of social stratification. European and American models. New York: Palgrave. 10–36.
- Kozák, Á.–Veres, E. 2014. Társadalom és rétegződés. In: Hetesi E.–Révész B. (eds), „Marketing megújulás”. Marketing Oktatók Klubja 20. Konferenciája előadásai. Szeged: Szegedi Tudományegyetem, Gazdaságtudományi Kar. 16–27.
- McHale, Brian. 1987. Postmodernist fiction. New York: Routledge.
- McKabe, J. –Akass, K. 2008. It’s not TV, it’s HBO’s original programming. Producing quality TV. In: Leverette, M. –Ott B. L. (eds), It’s not TV: Watching HBO in the post-television era. Buckley, C. L. 83–93.
- Mészáros, Péter. 2016. Transzmediális történetmesélés és a földrajzi tér szerepe az HBO Magyarország adaptált sorozataiban. In ME.DOK 11(2): 53–62.
- Roberts, Les. 2012. Film, mobility and urban space—A cinematic geography of Liverpool. Lancaster: Liverpool University Press.10.2307/j.ctt5vjktz
- Sodano, Todd. 2015. It was TV: Teaching HBO’s The wire as a television series. In: Karen Dillon–Naomi Crummey (eds), The wire in the college classroom: Pedagogical approaches in the humanities. Jefferson: McFarland. 7–31.
- Spigel, Lynn. 2005. Our TV heritage: Television, the archive, and the reasons for preservation. In: Janet Wasko (ed.), A companion to television. Oxford: Blackwell Publishing. 67–99.10.1002/9780470997130.ch5
- Thompson, R. J. 1996. Television’s second golden age: From Hill Street blues to ER. New York: Continuum.
- Tinic, Serra. 2015. On location: Canada’s television industry in a global market. Toronto: Toronto University Press.
- Waters, Tony–Waters, Dagmar. 2015. Max Weber’s sociology in the twenty-first century. In: Waters, Tony–Waters, Dagmar (eds), Weber’s rationalism and modern society. 2–17.