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Jane Austen and the Uncanny: The Colonial Past in Patricia Rozema’s Adaptation, Mansfield Park Cover

Jane Austen and the Uncanny: The Colonial Past in Patricia Rozema’s Adaptation, Mansfield Park

By: Polina Rybina  
Open Access
|Dec 2023

References

  1. Auerbach, Nina. 1980. Jane Austen’s Dangerous Charm: Feeling ss One Ought about Fanny Price. In Persuasions . The Jane Austen Society of North America, no. 2: 9–11. https://jasna.org/persuasions/printed/number2/auerbach.htm Last accessed 25. 10. 2023.
  2. Austen, Jane. [1814] 2008. Mansfield Park. New York: Signet Classics.
  3. Creed, Barbara. 2005. Phallic Panic . Film, Horror and the Primal Uncanny. Melbourne: Melbourne University Press.
  4. Drabble, Margaret. [1996] 2008. Introduction. In Austen, Jane. Mansfield Park, V–XVIII. New York: Signet Classics.
  5. Freud, Sigmund. [1919] 1955. The Uncanny. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVII (1917–1919), ed. James Strachey, 217–253. London: The Hogarth Press.
  6. Hodgkins, John. 2021. Double Vision: Adaptation, the Uncanny and Invasion of the Body Snatchers. Adaptation vol. 14, no. 1: 64–77. Oxford: Oxford University Press.
  7. Hutcheon, Linda. 2006. A Theory of Adaptation. London, New York: Routledge.
  8. Jentsch, Ernst. [1906] 1997. On the Psychology of the Uncanny. Angelaki: Journal of the Theoretical Humanities, 2:1, 7−16.
  9. Masschelein, Anneleen. 2011. The Unconcept . The Freudian Uncanny in Late-Twentieth-Century Theory. New York: Suny Press.
  10. Monk, Claire. 2011. Heritage Film Audiences: Period Films and Contemporary Audiences in the UK. Edinburgh: Edinburgh University Press.
  11. Prawer, Siegbert Saloman. 1980. Caligari’s Children: The Film as Tale of Terror. Oxford: Da Capo Press.
  12. Royle, Nicholas. 2003. The Uncanny. Manchester: Manchester University Press.
  13. Said, Edward W. 1993. Jane Austen and Empire. In Culture and Imperialism, 80–97. New York: Alfred A. Knopf.
  14. Shaneen, Marianne. 2007. Adapting the Occult: Horror and the Avant-Garde in the Cinema of Ken Jacobs. In Monstrous Adaptations: Generic and Thematic Mutations in Horror Film, eds. Richard J. Hand and Jay McRoy, 111–126. Manchester: Manchester University Press.
  15. Stern, Lesley. 1997. I Think, Sebastian, Therefore I . . . Somersault: Film and the Uncanny. Paradoxa 3.3–4: 348–366.
  16. Wolfreys, Julian. 2018. Haunted Selves, Haunting Places in English Literature and Culture. Cham, Switzerland: Palgrave Macmillan.
  17. Vidal, Belén. 2012. Figuring the Past: Period Film and the Mannerist Aesthetic. Amsterdam: Amsterdam University Press.
  18. Voigts-Virchow, Eckart (ed). 2004. Janespotting and Beyond: British Heritage Retrovisions since the Mid-1990s. Tübingen: Gunter Narr Verlag.
Language: English
Page range: 156 - 169
Published on: Dec 6, 2023
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2023 Polina Rybina, published by Sapientia Hungarian University of Transylvania
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.