Acta Universitatis Sapientiae, Film and Media Studies Feed https://reference-global.com/journal/AUSFM Reference Global RSS Feed for Acta Universitatis Sapientiae, Film and Media Studies Thu, 22 Oct 2026 23:15:09 GMT https://validator.w3.org/feed/docs/rss2.html https://github.com/jpmonette/feed Acta Universitatis Sapientiae, Film and Media Studies Feed https://paradigm-files.s3.eu-central-1.amazonaws.com/AUSFM/cover-image.jpg https://reference-global.com/journal/AUSFM All rights reserved 2026, Sapientia Hungarian University of Transylvania <![CDATA[Framing Anxiety. Intermedial Techniques of the Uncanny]]> https://reference-global.com/article/10.2478/ausfm-2023-0022 /article/10.2478/ausfm-2023-0022 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema]]> https://reference-global.com/article/10.2478/ausfm-2023-0013 /article/10.2478/ausfm-2023-0013 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Jane Austen and the Uncanny: The Colonial Past in Patricia Rozema’s Adaptation, Mansfield Park]]> https://reference-global.com/article/10.2478/ausfm-2023-0018 /article/10.2478/ausfm-2023-0018 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Filial Care and Familial Postmemory. On the Uncanny and Affective Intermediality of Analogue Media Use in Recent European Documentaries]]> https://reference-global.com/article/10.2478/ausfm-2023-0014 /article/10.2478/ausfm-2023-0014 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Rural Landscapes and Affective Encounters in Radu Muntean’s Film, Întregalde]]> https://reference-global.com/article/10.2478/ausfm-2023-0016 /article/10.2478/ausfm-2023-0016 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Medium Specific Uncanny in Contemporary Video Games]]> https://reference-global.com/article/10.2478/ausfm-2023-0020 /article/10.2478/ausfm-2023-0020 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[The Crisis of Care and Uncanny Intersensuality in Sally Potter’s The Roads Not Taken]]> https://reference-global.com/article/10.2478/ausfm-2023-0015 /article/10.2478/ausfm-2023-0015 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Ritual as Intermedial Interjection in Ritwik Ghatak’s The Cloud-Capped Star]]> https://reference-global.com/article/10.2478/ausfm-2023-0017 /article/10.2478/ausfm-2023-0017 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Media Representation and Affective Intermediality in Der Tote im Bunker and Vielleicht Esther]]> https://reference-global.com/article/10.2478/ausfm-2023-0019 /article/10.2478/ausfm-2023-0019 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Uncanny Colours of the Past. Phenomenological Notes on Remediation and Colourization of Black-and-White Footage]]> https://reference-global.com/article/10.2478/ausfm-2023-0012 /article/10.2478/ausfm-2023-0012 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Pandora’s Myth and Cultural Trauma in Alex Garland’s Ex Machina]]> https://reference-global.com/article/10.2478/ausfm-2023-0021 /article/10.2478/ausfm-2023-0021 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[Uncanny (Inter)Mediality and Photo Futures]]> https://reference-global.com/article/10.2478/ausfm-2023-0011 /article/10.2478/ausfm-2023-0011 Wed, 06 Dec 2023 00:00:00 GMT ARTICLE <![CDATA[You-Too: Mental Hygiene Methodology for College-Age Students]]> https://reference-global.com/article/10.2478/ausfm-2023-0006 /article/10.2478/ausfm-2023-0006 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[Dance and the Mediated Immersive Flux in Carlos Saura’s Musical Hybrids with Live Feed]]> https://reference-global.com/article/10.2478/ausfm-2023-0009 /article/10.2478/ausfm-2023-0009 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[The MyStreet Movement and Participatory Video]]> https://reference-global.com/article/10.2478/ausfm-2023-0002 /article/10.2478/ausfm-2023-0002 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[Participatory Video in the Museum]]> https://reference-global.com/article/10.2478/ausfm-2023-0007 /article/10.2478/ausfm-2023-0007 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[The Power of Close-ups and the Poetics of Silence: The House is Black by Forough Farrokhzad]]> https://reference-global.com/article/10.2478/ausfm-2023-0008 /article/10.2478/ausfm-2023-0008 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[Displacements. Contexts for a Participatory Media Project]]> https://reference-global.com/article/10.2478/ausfm-2023-0005 /article/10.2478/ausfm-2023-0005 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[The Camera as a Social Catalyst]]> https://reference-global.com/article/10.2478/ausfm-2023-0004 /article/10.2478/ausfm-2023-0004 Tue, 23 May 2023 00:00:00 GMT ARTICLE <![CDATA[Remake Bodony: Visual Participatory Action Research and Tiny Publics]]> https://reference-global.com/article/10.2478/ausfm-2023-0003 /article/10.2478/ausfm-2023-0003 Tue, 23 May 2023 00:00:00 GMT ARTICLE