References
- Agamben, Giorgio. 2000. Notes on Gesture. In Means without End . Notes on Politics, eds. Sandra Buckley, Michael Hardt and Brian Massumi, 49–59. Minneapolis and London: University of Minnesota Press.
- Algieri, Josefine. 2020. The Roads Not Taken – Review. One Room with a View September 10. https://oneroomwithaview.com/2020/09/10/the-roads-not-taken-berlinale-2020-review/. Last accessed 15. 09. 2023.
- Avery, Dwayne. 2014. Unhomely Cinema . Home and Place in Global Cinema. London, New York and Delhi: Anthem Press.
- Balázs, Béla. 1952. Theory of the Film (Character and Growth of a New Art). London: Dennis Dobson Ltd.
- Bellour, Raymond. 2012. Between-the-Images. Zürich, Dijon: JRP Ringier & Les Presses du Réel.
- Beugnet, Martine. 2006. Screening the Old: Femininity as Old Age in Contemporary French Cinema. Studies in the Literary Imagination vol. 39, no. 2: 1–20.
- Bradshaw, Peter. 2020. The Roads Not Taken Review – Painful Chapters in Writer’s Life. The Guardian 11 September https://www.theguardian.com/film/2020/sep/11/the-roads-not-taken-review-sally-potter-javier-bardem-elle-fanning. Last accessed 15. 09. 2023.
- Buber, Martin. 1937. I and Thou. Edinburgh: T. & T. Clark.
- Bunting, Madeleine. 2020. Labours of Love: The Crisis of Care. London: Granta Publications.
- Chivers, Sally. 2011. The Silvering Screen . Old Age and Disability in Cinema. Toronto, Buffalo and London: University of Toronto Press.
- Dávid, Ádám. 2008. Montage of Scents. Intermediality and “Intersensuality” in Patrick Süskind’s and Tom Tykwer’s Perfume. In Words and Images on the Screen: Language, Literature, Moving Pictures, ed. Ágnes Pethő, 89–103. Newcastle upon Tyne: Cambridge Scholars Publishing.
- Dowling, Emma. 2021. The Care Crisis: What Caused It and How Can We End It? London, New York: Verso.
- Foucault, Michel. 2004. The Crisis of Medicine or the Crisis of Antimedicine? Foucault Studies no. 1: 5–19.
- Fraser, Nancy. 2016. Contradictions of Capital and Care. New Left Review, issue 100. https://newleftreview.org/issues/ii100/articles/nancy-fraser-contradictions-of-capital-and-care. Last accessed 15. 09. 2023.
- Kalmár, György. 2017. Formations of Masculinity in Post-Communist Hungarian Cinema: Labyrinthian Men. Cham, Switzerland: Palgrave Macmillan.
- Kalmár, György. 2021. Post-Crisis Reckoning: Making Sense of Early 21st-Century Civilizational Ruptures. Acta Universitatis Sapientiae, Philologica vol. 13, no. 1: 1–17.
- Marks, Laura U. 2002. Touch . Sensuous Theory and Multisensory Media. Minneapolis and London: University of Minnesota Press.
- Marquez, David X. 2022. Increasing Engagement of Hispanics/Latinos in Clinical Trials on Alzheimer’s Disease and Related Dementias. Alzheimers Dement (N Y) vol. 8, no. 1. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9322823/. Last accessed 15. 09. 2023.
- Mayer, Sophie. 2009. The Cinema of Sally Potter . A Politics of Love. London and New York: Wallflower Press.
- Pape, Stephan. 2020. “I Always Feel Misjudged” – Sally Potter on The Roads Not Taken & Being a Female Filmmaker. The Hot Corn 11 September. https://hotcorn.com/en/movies/news/exclusive-i-always-feel-misjudged-sally-potter-on-the-roads-not-taken-being-a-female-filmmaker/. Last accessed 15. 09. 2023.
- Plantinga, Carl. 1999. The Scene of Empathy and the Human Face in Film. In Passionate Views . Film, Cognition, and Emotion, eds. Carl Plantinga and Greg M. Smith, 239–255. Baltimore and London: The Johns Hopkins University Press.
- Sinnerbrink, Robert. 2016. Cinempathy: Phenomenology, Cognitivism, and Moving Images. Contemporary Aesthetics Special Volume: Contemporary Perspectives on Film and Philosophy no. 5 . https://digitalcommons.risd.edu/liberalarts_contempaesthetics/vol0/iss5/2/. Last accessed 15. 09. 2023.
- Sobchack, Vivian. 2004. Carnal Thoughts . Embodiment and Moving Image Culture. Berkeley, Los Angeles and London: University of California Press.
- Ureczky, Eszter. 2020. A törődés traumája. Időskor, testi fogyaték és a gondoskodás (társadalmi) nemei Michael Haneke Amour című filmjében [The Trauma of Care. Old Age, Physical Disability and the (Social) Genders of Care in Michael Haneke’s Amour]. [sic]itur ad astra vol. 72: 217–246.