References
- Bennett, Herman L. African Kings and Black Slaves: Sovereignty and Dispossession in the Early Modern Atlantic. U of Pennsylvania P, 2019.
- Crabtree, Claire. “The Confluence of Folklore, Feminism and Black Self-Determination in Zora Neale Hurston’s Their Eyes Were Watching God.” The Southern Literary Journal, vol. 17, no. 2, 1985, pp. 54–66. JSTOR, http://www.jstor.org/stable/20077766.
- Delbanco, Andrew. “The Political Incorrectness of Zora Neale Hurston.” The Journal of Blacks in Higher Education, no. 18, 1997, pp. 103–08. JSTOR, https://doi.org/10.2307/2998779.
- Du Bois, W.E.B. 1903. The Souls of Black Folk: Essays and Sketches. U of Massachusetts P, 2018, https://libproxy.unm.edu/login?url=https://search.ebscohost.com/login.aspx?authtype=ip,guest&custid=s4858255&groupid=main&profile=eds&direct=true&db=nlebk&AN=1842601&site=eds-live&scope=site.
- Frye, Marilyn. The Politics of Reality: Essays in Feminist Theory. Crossing Press, 1983.
- Gates, Henry Louis, Jr. “A Tragedy of Negro Life.” Mule Bone: A Comedy of Negro Life, edited by George Houston Bass and Henry Louis Gates, HarperPerennial, 1991, pp. 5–24.
- ---. “Harlem on Our Minds.” Critical Inquiry, vol. 24, no. 1, 1997, pp. 1–12. JSTOR, http://www.jstor.org/stable/1344157.
- Gillespie, Margaret. “‘Not a Thing of the Past’: Zora Neale Hurston and the Living Legacy of Folklore.” Revue LISA / LISA e-Journal, vol. II, no. 4, 1 July 2004. OpenEdition, https://doi.org/10.4000/lisa.2922.
- Glover, Eric M. “Joy and Love in Zora Neale Hurston and Dorothy Waring’s 1944 Black Feminist Musical Polk County.” TDR: The Drama Review, vol. 65, no. 2, 2021, pp. 45-62. Project Muse, https://muse.jhu.edu/article/795711.
- hooks, bell. Teaching to Transgress: Education as the Practice of Freedom. Routledge, 1994.
- Hughes, Langston. Autobiography: The Big Sea. 1940. U of Missouri P, 2002, https://ebookcentral.proquest.com/lib/unm/reader.action?docID=4388379.
- ---. “The Negro Artist and the Racial Mountain.” Nation, June 1926, pp. 692–694, https://eds.s.ebscohost.com/eds/pdfviewer/pdfviewer?vid=1&sid=d396c995-e571-41db-824d-3205d2f7442f%40redis.
- Hurston, Zora Neale. “Characteristics of Negro Expression.” 1934. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present, edited by Angelyn Mitchell, Duke UP, 1994, pp. 79–94, https://doi.org/10.1215/9780822399889.
- ---. Their Eyes Were Watching God. 1937. Harper Paperbacks, 1999.
- ---. “What White Publishers Won’t Print.” 1950. Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present, edited by Angelyn Mitchell, Duke UP, 1994, pp. 117–21, https://doi.org/10.1215/9780822399889.
- Larkin, Lesley. “Speakerly Reading: Zora Neale Hurston.” Race and the Literary Encounter: Black Literature from James Weldon Johnson to Percival Everett, edited by Herman L. Bennett, Kim D. Butler, Judith A. Byfield, Tracy Sharpley-Whiting, Indiana UP, 2015, pp. 65-91. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/unm/detail.action?docID=4012076.
- Locke, Alain. “The New Negro.” The New Negro: An Interpretation, edited by Alain Locke, Albert and Charles Boni, 1925, pp. 3–16, https://heinonline.org/HOL/Page?handle=hein.beal/newnegin0001&div=7&&collection=beal.
- ---. “Review of Their Eyes Were Watching God.” 1938. www.wlwv.k12.or.us/cms/lib8/OR01001812/Centricity/Domain/1353/Their%20Eyes%20Were%20Watching%20God%20Critical%20Quotes.pdf.
- Lupton, Mary Jane. “Zora Neale Hurston and the Survival of the Female.” The Southern Literary Journal, vol. 15, no. 1, 1982, pp. 45–54. JSTOR, http://www.jstor.org/stable/20077687.
- Ndi, Bill F., et al. “Language, Freedom, and the Revolutionary Visionary: The Writings of Zora Neale Hurston.” Some Unsung Black Revolutionary Voices and Visions from Pre-Colony to Post-Independence and Beyond, edited by Bill F. Ndi, Langaa RPCIG, 2021, pp. 157–88. JSTOR, https://doi.org/10.2307/j.ctv1rcf2f0.9.
- Pinckney, Darryl. “Zora Neale Hurston and Questions of Scholarship.” Labor: Studies in Working-Class History of the Americas, vol. 17, no. 3, 2020, pp. 93-100. Project Muse, https://muse.jhu.edu/article/763423.
- Thurman, Wallace. Infants of the Spring. 1932. Dover Publications, 2013.
- Walker, Alice. Foreword. Barracoon: The Story of the Last “Black Cargo”, by Zora Neale Hurston, Amistad Press, 2018.
- ---. Introduction to Part 2. I Love Myself When I Am Laughing ... and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader, edited by Alice Walker and Mary Helen Washington, Feminist Press, 1979, p. 151. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=cat05987a&AN=unm.521 9383&site=eds-live&scope=site.
- Washington, Mary Helen. “Zora Neale Hurston: A Woman Half in Shadow.” Introduction. I Love Myself When I Am Laughing ... and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader, edited by Alice Walker and Mary Helen Washington, Feminist Press, 1979, pp. 7-25. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=cat05987a&AN=unm.521 9383&site=eds-live&scope=site.
- Williams, Dylan. “Up From the Muck: Voice and Agency as a Means to Liberation in Their Eyes Were Watching God.” POMPA: Publications of the Mississippi Philological Association, vol. 37, Jan. 2020, pp. 189–206. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=151042679&sit e=eds-live&scope=site.
- Wright, Richard. “Between Laughter and Tears.” 1937. Wordpress.com, thirtiesculture.files.wordpress.com/2011/10/wright-between-laughter.pdf.
- ---. “Blueprint for Negro Writing.” 1937. The Politics of Richard Wright: Perspectives on Resistance, edited by Jane Anna Gordon and Cyrus Ernesto Zirakzadeh, UP of Kentucky, 2019, pp. 213–223, https://ebookcentral.proquest.com/lib/unm/detail.action?docID=5583686.