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Representations of Non-Being in David Lynch’s Eraserhead, Edmund Elias Merhige’s Begotten, and Darren Aronofsky’s Pi: A Comparative Analysis from Indian Philosophy Perspectives Cover

Representations of Non-Being in David Lynch’s Eraserhead, Edmund Elias Merhige’s Begotten, and Darren Aronofsky’s Pi: A Comparative Analysis from Indian Philosophy Perspectives

American, British and Canadian Studies
Volume 41 (2023): Issue 1 (December 2023)
By:   
Open Access
|Jan 2024
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DOI: https://doi.org/10.2478/abcsj-2023-0024 | Journal eISSN: 1841-964X | Journal ISSN: 1841-1487 (formerly 1841-964X)
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Language: English
Page range: 162 - 185
Published on: Jan 26, 2024
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Keywords:
being,
non-being,
reality,
illusion,
emptiness,
film narrative,
self,
identity,
symbol,
archetype
Related subjects:
Literary studies,
Anglo-American literature,
Anglo-American literature, general,
Topics in literary studies,
Literary studies and linguistics

© 2024 Cristian Paşcalău, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Volume 41 (2023): Issue 1 (December 2023)
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