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The Dystopian Transformation of Urban Space in Margaret Atwood’s The Handmaid’s Tale Cover

The Dystopian Transformation of Urban Space in Margaret Atwood’s The Handmaid’s Tale

By: Raluca Moldovan  
Open Access
|Jul 2020

References

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  4. Atwood, Margaret. The Testaments. New York: Talese/Doubleday, 2019.
  5. Bloom, Harold, ed. Bloom’s Guides: Margaret Atwood’s The Handmaid’s Tale. New York: Infobase, 2004.
  6. Bloom, Harold, ed. Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. New York: Chelsea, 2001.
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  10. Evans, Mark. “Versions of History: The Handmaid’s Tale and Its Dedicatees.” Margaret Atwood: Writing and Subjectivity. New Critical Essays. Ed. Colin Nicholson. New York: St. Martin’s P, 1994. 177-188.
  11. Foucault, Michel. Discipline and Punish: The Birth of the Prison. 2nd ed. Trans. Alan Sheridan. New York: Vintage, 1995.
  12. Grace, Dominick M. “The Handmaid’s Tale: ‘Historical Notes’ and Documentary Subversion.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 155-166.
  13. Howells, Coral Ann. “Margaret Atwood’s Dystopian Versions: The Handmaid’s Tale and Oryx and Crake.” The Cambridge Companion to Margaret Atwood. Ed. Coral Ann Howells. Cambridge: Cambridge UP, 2006. 161-175.
  14. Macpherson, Heidi Slettedahl. The Cambridge Introduction to Margaret Atwood. Cambridge: Cambridge UP, 2010.10.1017/CBO9780511781018
  15. Malak, Amin. “Margaret Atwood’s The Handmaid’s Tale and the Dystopian Tradition.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 3-10.
  16. Miller, Perry. Errand into the Wilderness. Cambridge: Belknap P, 1956.
  17. Miner, Madonne. “‘Trust Me’: Reading the Romance Plot in Margaret Atwood’s The Handmaid’s Tale.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 21-40.
  18. Palumbo, Alice M. “On the Border: Margaret Atwood’s Novels.” Margaret Atwood. Bloom’s Modern Critical Views. Ed. Harold Bloom. New York: Infobase, 2009. 21-34.
  19. Rubenstein, Roberta. “Nature and Nurture in Dystopia: The Handmaid’s Tale.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 11-20.
  20. Somacarrera, Pilar. “Power Politics: Power and Identity.” The Cambridge Companion to Margaret Atwood. Ed. Coral Ann Howells. Cambridge: Cambridge UP, 2006. 43-57.
  21. Staels, Hilde. “Margaret Atwood’s The Handmaid’s Tale: Resistance through Narrating.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 113-126.
  22. Stein, Karen. “Margaret Atwood’s Modest Proposal: The Handmaid’s Tale.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 127-140.
  23. The Handmaid’s Tale. Created by Bruce Miller. MGM Television/Hulu, 2017.
  24. Tolentino, Jia. “Margaret Atwood Expands the World of the Handmaid’s Tale.” The New Yorker 5 Sept. 2019. Web. 9 Jan. 2020.
  25. Tomc, Sandra. “‘The Missionary Position’: Feminism and Nationalism in Margaret Atwood’s The Handmaid’s Tale.” Margaret Atwood’s The Handmaid’s Tale: Modern Critical Interpretations. Ed. Harold Bloom. New York: Chelsea, 2011. 81-92.
  26. Wilson, Sharon R. “Blindness and Survival in Margaret Atwood’s Major Novels.” The Cambridge Companion to Margaret Atwood. Ed. Coral Ann Howells. Cambridge: Cambridge UP, 2006. 176-190.10.1017/CCOL0521839661.013
  27. Zivic, Jelena. A Dystopian Society in Margaret Atwood’s The Handmaid’s Tale. Diss. Osijek University, 2014. Web. 10 Jan. 2020.
DOI: https://doi.org/10.2478/abcsj-2020-0007 | Journal eISSN: 1841-964X | Journal ISSN: 1841-1487
Language: English
Page range: 103 - 123
Published on: Jul 17, 2020
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year

© 2020 Raluca Moldovan, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.