The Selected Architectural Solution of Modern Museums in China in the Aspect of Manifestation of Traditional Culture

– cracks in a monolithic form that resemble surrounding mountains;

– enlarged scale providing communication with surrounding landscape;

– brick and tile from villages destroyed in this place;

– bamboo for formwork;

– local “wapan” technology based on the use of building materials from destroyed buildings;

– resource saving as a traditional virtue;

– spiral shape organizing upward movement;

– tiles made according to traditional technology;

– use of natural water surface near the building;

– traditional technology of roof tiles production;

– clear stagnant water, in Buddhism symbolizes contemplative perception;

– resembles the relief of a hill on which the building is located;

– a block model with individual pitched roofs interprets traditional village;

– a scale of rural buildings;

– local tiles from destroyed old buildings;

– relationship with environment, unity with nature that corresponds to Taoism;

– broken roof shapes that are identical to surrounding hilly area;

– space-planning solution interprets traditional rural house;

– scale of rural buildings;

– local materials: wood, bamboo, handmade paper, volcanic stone;

– the system of wooden structures traditional for this region;

– relationship with environment, unity with nature that corresponds to Taoism;

– parallel epipeds interconnected in sections remind city blocks;

– the scale is coordinated with the nature of historical urban area;

– texture of wooden boards on a concrete surface;

– a traditional way of buildings' location on the water;

– in Buddhism water surface near the building personifies eternal flow of material world, and its transparency symbolizes contemplative perception;