Have a personal or library account? Click to login
21ST CENTURY THEATER – REGRESS OR PROGRESS? Cover

21ST CENTURY THEATER – REGRESS OR PROGRESS?

Architecture, Civil Engineering, Environment
Volume 11 (2018): Issue 4 (December 2018)
By: Piotr OBRACAJ  
Open Access
|Mar 2022

Figures & Tables

Figure 1.

Calatrava’s building complex visible from the tower next to the Cathedral, exterior of the opera, and the main opera stage visible from the stage. Photograph by author
Calatrava’s building complex visible from the tower next to the Cathedral, exterior of the opera, and the main opera stage visible from the stage. Photograph by author

Figure 2.

Location of the Copenhagen Opera House on the extension of the representative axis, projection of level 0.0 and interior of the opera house. Photograph by author, illustration from the author’s archive
Location of the Copenhagen Opera House on the extension of the representative axis, projection of level 0.0 and interior of the opera house. Photograph by author, illustration from the author’s archive

Figure 3.

Exterior of Theatrum Gedanense, stage-audience in the Elizabethan layout, and curtain call. Photograph by author [5, 6]
Exterior of Theatrum Gedanense, stage-audience in the Elizabethan layout, and curtain call. Photograph by author [5, 6]

Figure 4.

Tbilisi Theater visible from the nearby hill, projection of main level and author’s sketch (Fuksas) of longitudinal cross-section through the auditorium. Photograph by author, illustrations from the author’s archive
Tbilisi Theater visible from the nearby hill, projection of main level and author’s sketch (Fuksas) of longitudinal cross-section through the auditorium. Photograph by author, illustrations from the author’s archive

Figure 5.

Statue of Laocoön and His Sons from 1st century BCE, excavated in 1500s, presumably in the presence of Michelangelo Buonarroti, and Discobolus of Myron from the middle of the 5th century BCE. Photograph by author
Statue of Laocoön and His Sons from 1st century BCE, excavated in 1500s, presumably in the presence of Michelangelo Buonarroti, and Discobolus of Myron from the middle of the 5th century BCE. Photograph by author

Figure 6.

Delphi Theater, picture taken in late afternoon, and The Suppliants by Euripides, picture taken during the 1936 stage performance. Photograph by author, photograph from the author’s archive [12]
Delphi Theater, picture taken in late afternoon, and The Suppliants by Euripides, picture taken during the 1936 stage performance. Photograph by author, photograph from the author’s archive [12]

Figure 7.

The Globe Theatre of London and the Elizabethan style stage of Les Bouffes du Nord theater in Paris. Photograph by author, photograph from author’s archive [5]
The Globe Theatre of London and the Elizabethan style stage of Les Bouffes du Nord theater in Paris. Photograph by author, photograph from author’s archive [5]

Figure 8.

Stage of Les Bouffes du Nord in an arena layout; details characteristic of the specific aesthetics of the auditorium. Photograph by author
Stage of Les Bouffes du Nord in an arena layout; details characteristic of the specific aesthetics of the auditorium. Photograph by author
DOI: https://doi.org/10.21307/acee-2018-054 | Journal eISSN: 2720-6947 | Journal ISSN: 1899-0142
Journal RSS Feed
Language: English
Page range: 55 - 66
Submitted on: Jun 21, 2018
Accepted on: Aug 23, 2018
Published on: Mar 2, 2022
Published by: Silesian University of Technology
In partnership with: Paradigm Publishing Services
Publication frequency: 4 issues per year
Keywords:
Aesthetics,
Theatre,
Stage,
Audience,
Technology,
Structure
Related subjects:
Architecture and design,
Architecture,
Architects, buildings

© 2022 Piotr OBRACAJ, published by Silesian University of Technology
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Previous articleVolume 11 (2018): Issue 4 (December 2018)Next article